A SICK SMILE (2018) — SOME®

Acrylic dripping on canvas / 100×100 cm

STATUS: SOLD — Private Collection (Italy)
Archive Code: 2018_SS_ASickSmile_#1_PHY

Origin Case Study.

The inaugural physical manifestation of the Sick Smile asset. This specific canvas documents the transition from spontaneous physical discharge to highly coded, systematic iconography.

Developed during the Self-Transcendence Phase (2018–2019), the work serves as a foundational study in material anxiety: a clinical yellow background subjected to a violent, deteriorating black dripping. It marks the precise moment where visceral human distress is frozen and packaged into a perfect, permanent corporate logo.

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ARCHIVE DOSSIER / SPECIFICATIONS:

• Zero-Point Specimen: Documented as the absolute progenitor of the Sick Smile series in the SOME® permanent registry.
• Zero-Replication Policy: Strict 1/1 physical original. No digital blueprints, physical replicas, prints will be authorized.
• Structural Foundation: The primary canvas establishing the formal tension between rigid geometric stencil elements and uncontrolled chemical gravity.
• Historical Position: Closed acquisition prior to the institutional transition into the Clinical Pop era.

This asset is permanently held in a private archive. Sealed registry. Strictly unavailable for acquisition.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

A SICK GIRL (2018) — SOME®

A SICK GIRL (2018) — SOME®

Medium: Industrial aerosol and stencil on canvas / 70×50 cm

Status: SOLD — Private Collection (Australia)

Archive Code: 2018_SS_ASickGirl_PHY

The complementary biological specimen to A SICK SMILE (2018). This canvas documents the second historical entry in the SOME® proto-archive, capturing the translation of acute psychological trauma into a flat, standardized chromatic system.

While A SICK SMILE represents a vertical dissolution through chemical gravity (the Drip), A SICK GIRL operates under the synthetic glare of simulated neon exposure. The work freezes a fractured, somatic state immediately before its complete containment and digestion into the clean, geometric branding of the subsequent Critical Pop era.

Specimen Registry 02: Documented as the second physical entry in the Sick Smile proto-archive.

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ARCHIVE DOSSIER / SPECIFICATIONS:

Systemic Diptych: Programmed to establish a dual conceptual axis with A SICK SMILE (2018), visualising the tension between corporate masking (Stencil) and visceral, organic collapse (Drip).

Zero-Replication Policy: 1/1 physical original.

Transitional Interface: The definitive bridge work linking raw, figurative human distress to abstract, commercial iconography.

Historical Position: Acquired and locked in a private international registry prior to the formalized institutional launch of the Clinical Pop series.

This asset is permanently held in a private archive (AU). Sealed registry. Strictly unavailable for acquisition.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

MEDICINE (2019) — SOME®

Medium: Industrial aerosol, acrylic dripping, and stencil on canvas / 150×100 cm

Status: SOLD — Private Collection

Archive Code: 2019_UP_SideBabyMedicine_PHY

Diagnostic Case Study / The Brand-as-Pill Protocol.

MEDICINE stands as the primary diagnostic study mapping the absolute fusion of luxury consumerism and neurological sedation. By converting an iconic commercial logo into a literal psychotropic molecule, the canvas documents the eradication of the boundary between corporate desire and pharmaceutical dependency.

Executed in an aggressive, chemically simulated palette, the subject acts simultaneously as the specimen and the patient—a biological entity preserved in a permanent state of synthetic homeostasis. The work functions as a visual autopsy of a society where self-image, status, and cognitive anxiety are regulated through curated brand consumption.

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ARCHIVE DOSSIER / SPECIFICATIONS:

• Molecular Progenitor: Documented as the absolute baseline canvas establishing the “brand-as-chemical-agent” framework in the SOME® permanent registry.
• Large-Format Registry: High-dimension physical asset locked in an exclusive private collection (2021) following strategic acquisition.
• Structural Genesis: A foundational, high-value anchor piece signaling the formal transition into the Clinical Pop era.
• Systemic Interface: Replaces standard pop appropriation with a cold diagnostic of corporate-induced escapism.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will ever be authorized.

Sealed Registry — SOME® Archive 2019-2026.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

IL GESTO (SASSARI, 2019) – SOME®

Stencil & spray paint on canvas / 70×100 cm / 27×40 in / AVAILABLE
Archive Code: UP-2020-07

Diagnostic Case Study / The Leisure Logistics Protocol.

THE GESTURE (SASSARI) operates as a forensic document of localized survival and somatic erosion, operating below the radar of the late-capitalist periphery. Utilizing an intimate, non-collaborative photograph as its structural framework, the canvas records the total flattening of the subject within informal and precarious networks. The composition isolates an exact bodily posture, stripping the act of any decorative romanticism or street-art caricature.

By applying a rigid pixel matrix over the facial physiognomy, the work documents an act of protective anonymization and, simultaneously, the systematic erasure of identity. The nocturnal atmosphere, dominated by the cold blue and the urgent red of the hoodie, rejects documentary sentimentalism: it acts as a clinical register of a silent ritual, where the human form is hollowed out, digitized, and preserved as a relic of containment and psychological friction.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Sassari Archive Progenitor: Documented as the foundational canvas introducing the ‘informal survival’ protocol and peripheral aesthetics into the permanent registry.
• Anonymization Protocol: Integrates the pixel matrix to shield the subject’s identity, simultaneously registering a state of systemic marginalization.
• Somatic Posture Map: Records the transition from an expressive street gesture to a flat, controlled geometry of pure resistance.
• Vetted Acquisition Status: Strict 1/1 physical original. Subject to rigorous institutional or private approval. Zero-Replication Mandate: No digital or physical replicas exist or will be authorized.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

EBBASTA! (2021) — SOME®

Stencil & spray paint on canvas / 150×100 cm
1/1 Original — Archive Code: UP-2021-04

Diagnostic Case Study / The Clout Extraction Protocol.

EBBASTA! operates as a forensic audit of localized attention markets, hyper-sweetened sensory management, and typographic sabotage under late-capitalist realism. The canvas hijacks a premier emblem of global mass-media print monopoly (Smoking Stone), overlaying it with a high-saturation stencil matrix that documents the exact coordinate where subcultural music stardom is pre-incorporated and converted into a standardized economic currency.

The central icon’s ocular architecture is fully replaced by synthetic corporate food styling glazes (the pink donut matrices), signaling the absolute colonization of the biological host’s sensory apparatus. The creeping, high-density black fissures fracturing the composition reject traditional street-art distressing; they function as clinical indicators of systemic stress, mapping the severe structural fragility and imminent downside risk of a nervous system over-leveraged by volatile dopamine loops and mandatory consumption.

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ARCHIVE DOSSIER / SYSTEMIC VALUATION:
Sick Smile Anchor Node: Catalogued as a foundational primary asset within the early Sick Smile Cycle (2020–2023), establishing the structural framework for the brand’s investigation into engineered optimism.

Typographic Sabotage Metric: Formally records the deployment of high-frequency linguistic subversion, integrating text and icon into a singular, closed diagnostic layout.

Enforced Scarsity Positioning: With the absolute majority of corresponding historical assets securely held in private international repositories, this specific 150×100 cm specimen represents a primary liquidity lock opportunity.

Anti-Fragile Position Lock: High-dimension physical 1/1 original. Functions as an inflation-hedged symbolic asset completely insulated from digital replication and macroeconomic fragility.

Zero-Replication Mandate: Strict 1/1 physical original. No secondary print runs, digital blueprints, or physical replicas exist or will be authorized.

— SOME® Archive 2018–2026 All Rights Reserved | www.someoneyelling.com

THREESOME (2022) — SOME®
Mixed media on diagnosis print (canvas) | 50×70 cm | 19.7×27.6 in

Diagnostic Case Study / The Institutional Bureaucracy Protocol.

THREESOME operates as a forensic forensic audit of privatized psychological distress, institutional surveillance, and identity multi-threading under late-capitalist realism. The work systematically rejects standard pop parody, layering a premier global avatar of domestic distraction and consumption (Homer Simpson) directly over a raw, unreplicable administrative record from a state medical infrastructure.

The overlapping, misaligned trio of graphic silhouettes records a state of profound structural fragility: a clinical fragmentation of the contemporary ego into volatile, non-signaling behavioral loops. The mass-market mascot functions not as an irreverent icon, but as a standardized cognitive mask—a corporate anesthetic interface engineered to suppress and regulate the underlying somatic ledger of the biological host. By converting a rigid bureaucratic document into the literal physical support for market transaction, the work captures the absolute baseline condition of a society where individual trauma is quantified, formatted, and permanently integrated into the attention economy as a premium symbolic asset.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Institutional Host Interface: Documented as a critical anchor specimen within the Uncomfortable Pop Cycle, establishing the formal protocol of utilizing physical state-level documentation as a raw artistic support.
• Identity Liquidation Mapping: Formally charts the fragmentation of subjective depth, converting personal psychological friction into a highly structured, brand-aligned clinical register.
• Unreplicable Material Scarcity: Features absolute intrinsic asset protection. Because the physical support consists of a unique, localized institutional data sheet, the 1/1 original possesses a total insulation barrier against market duplication or secondary replication.
• Anti-Fragile Position Lock: Closed 2022 market transaction permanently secured in a private archive, converting volatile psychological currency into a non-dilutable, inflation-hedged wealth repository.
• Zero-Replication Mandate: Strict 1/1 physical original. No replicas exist or will be authorized.

— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com

SHE (2023) — SOME®

Stencil & spray paint on canvas / 150×100 cm / 60×40 in / Commission
Archive Code: UP-2023-01

Diagnostic Case Study / The Sacred Trauma Standardization Protocol.

SHE operates as a forensic audit of ideological containment, corporate propaganda framing, and the flattening of somatic crisis under late-capitalist realism. The canvas executes a strategic hybridization bridging two distinct cultural property grids: an ancestral theological matrix (the bleeding Madonna architecture) and a premier Hollywood cinematic asset of narcotic exhaustion (the overdose register of Mia Wallace).

Rejecting the romanticized lens of cinematic collapse or sacred ecstasy, the composition documents the complete homogenization of human trauma. Locked within a rigid, authoritative graphic framework mimicking corporate street propaganda aesthetics, the host’s bleeding ocular matrix records an absolute threshold of structural fragility. The textual enforcement—LET SHE BLEED—functions not as a poetic lamentation, but as an imperative operational command engineered by the attention market to vectorize visceral biological depletion into an optimized symbolic currency.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

Zero-Replication Mandate: Strict 1/1 physical original. No secondary print runs, digital blueprints, or physical replicas exist or will be authorized.

External Capital Integration Protocol: Documented as a primary custom entry within the permanent registry, formally parsing external collector-driven conceptual blueprints through the strict diagnostic framework of the SOME® brand.

Iconographic Homogenization Index: Charts the exact coordinate where ancient devotion architectures and contemporary media-induced crisis systems collapse into a singular, closed graphic feedback loop.

Somatic Overload Registry: Utilizes a calculated split-tone aerosol matrix to analyze the structural decay and neurological fragility of a biological subject subjected to high-frequency attention pressure.

Low-Liquidity Asset Lock: Closed market custom execution. The physical 1/1 original operates as an inflation-hedged wealth repository completely insulated from secondary digital replication and macroeconomic volatility.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

SPIDER MELT (2024) — SOME®

Stencil & spray paint on canvas / 150×100 cm / 60×40 in / SOLD
Archive Code: UP-2024-02

Diagnostic Case Study / The Kinetic Exhaustion Protocol.

SPIDER MELT operates as a forensic audit of hyper-exploited labor myths, attention-market fatigue, and systemic burnout under late-capitalist realism. The work hijacks a premier global icon of mandatory responsibility and perpetual precarity, documenting the exact coordinate where the performative host experiences a catastrophic structural phase-transition from solid compliance to liquid depletion.

Clinging to a vertical stack of simulated industrial sound architecture, the host is stripped of all heroic leverage. The composition rejects the romanticized lens of vulnerability; it maps a state of clinical saturation. The heavy speaker matrices function as an infrastructure of sensory regulation, where high-frequency auditory noise and nightlife containment loops operate as localized anesthetics for the working-class asset. The literal melting of the stencil contours records the precise breakdown threshold where human stamina is flattened, liquidated, and permanently frozen into a premium symbolic asset.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Meltdown Protocol Progenitor: Documented as the inaugural physical baseline specimen introducing the “liquefaction matrix,” formalizing a tactical design motif subsequently deployed across the A Sick Smile permanent series.
• Sonic Compliance Registry: Charts the direct integration of biological hosts into corporate-induced entertainment grids, analyzing sound-system iconography as an apparatus for behavior monitoring.
• Somatic Over-Leverage Mapping: Formally captures severe structural fragility, capturing the asymmetric downside risk hidden behind high-frequency mass media exposure.
• Anti-Fragile Position Lock: Closed 2024 market transaction permanently locked in a private collection. The large-format physical 1/1 original operates as an inflation-hedged wealth repository completely insulated from digital replication.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com

A SICK SMILE #4 (2024) — SOME®

Dripping & spray paint on canvas / 100×100 cm
1/1 Original — Archive Code: SSX-2024-04

Diagnostic Case Study

A critical diagnostic record of psychological containment under high-velocity capitalism. In A SICK SMILE #4, the human subject is entirely bypassed. The canvas is dominated by a violent, polychromatic hemorrhage of dripping paint—a visual representation of schizophrenic market flows, domestic overload, and systemic anxiety.

Superimposed onto this chaotic, hyper-saturated static is a heavy, double-layered white stencil. The twin, bleeding vertical eyes and the overlapping, manic double-smile do not register human emotion; they act as a catatonic reflex. It is a synthetic, chemical mask forcibly deployed to bind a fractured reality together, freezing a nervous breakdown into a clean, marketable pop icon.

SPECIMEN ANALYSIS

Foundational Morphology:
The Sick Smile® appears here in one of its earliest complete anatomical configurations. Detached from portraiture, it functions as an autonomous symbolic organism rather than a facial expression.

Environmental Saturation:
The polychromatic field does not operate as background. It records an environment overwhelmed by informational excess, compulsive stimulation and systemic fragmentation. The painted surface behaves as evidence rather than composition.

Containment Mechanism (Technique):
Dense gestural drips remain deliberately unresolved until interrupted by the rigid white stencil. The resulting collision between uncontrolled material and mechanical precision constitutes the work’s central structural tension, where containment never fully succeeds.

Clinical Expression:
The elongated bleeding eyes and unstable smile refuse conventional emotional reading. They register a condition of suspended adaptation: a synthetic expression maintained after psychological coherence has already collapsed.

Archival Provenance (1/1):
Unique physical original. No editions, digital duplicates or commercial reproductions. Registered within the 2024 SOME® Archive under archival code SSX-2024-04.

Conservation Status:
1/1 original.
No editions. No reproductions.
Preserved as a primary document of the Sick Smile® corpus.

1/1 — no reproductions.
Long-term value tied to the central icon of the SOME® mythology.

— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com