PROJECT:The Physical Impossibility of the Father in the Mind of Schizophrenic Capital and the Incessant Production of Actions via Positive Asymmetric Leverage

ARCHIVE CODE: 2019_UP_BullyWSAntiEdipoKid_DIG
STATUS: ALLOCATION OPEN

SECURE ASSET

OBSERVATION:The work marks the transition from the ‘Neurotic’ (who suffers from his past) to the ‘Schizoid’ (who leverages the chaos of the present). It is the liquidation of the Oedipal debt through the issuance of new, asymmetric emotional securities.

ASSET SPECIFICATIONS // VISIONBOX® A3

  • Source Matrix: Digital Vector File (A3_2019_UP_BullyWSAntiEdipoKid_DIG.ai).
  • Medium: UltraChrome® HDX Pigment on Hahnemühle Photo Rag 308gsm (Museum Grade).
  • Surface: Matte, Smooth, Absorbent (The Sedated Texture).
  • Dimensions: 30 x 40 cm / A3 Archive Standard.
  • Edition: Strictly limited to 30 units + 2 Artist Proofs (AP).
  • Validation: Signed, Numbered, and Dry-Stamped by SOME®. Includes Encrypted COA.

PROJECT: FRAGILE / HANDLE WITH CASH.

ARCHIVE CODE: 2020_CP_KateMoss_DIG
STATUS: [ALLOCATION OPEN]

SECURE ASSET

CLINICAL ANALYSIS: The ultimate icon of consumption. We are not looking at a person, but a publicly traded surface. Beauty here is not grace; it is a perishable commodity requiring constant, high-cost maintenance.


ASSET SPECIFICATIONS // VISIONBOX® A3

Validation: Signed, Numbered, and Dry-Stamped by SOME®. Includes Encrypted COA (Certificate of Authenticity).

Source Matrix: Digital Vector File ( A3_2020_CP_KateMoss_DIGR.ai)

Medium: UltraChrome® HDX Pigment on Hahnemühle Photo Rag 308gsm (Museum Grade).

Format: 30 x 40 cm / A3 Archive Standard (Fits strictly within the containment unit).

Edition: Strictly limited to 30 units + 2 Artist Proofs (AP).

PROJECT:A Vertical Deviation from the Standard Horizontal Ritual of Bass Worship, Facilitated by MDMA. (Blueprint Edition)

ARCHIVE CODE: 2023_UP_SpiderManRave_DIG
STATUS: ALLOCATION OPEN

SECURE ASSET

[CLINICAL DIAGNOSIS]

THE COLLAPSE OF HEROISM The Savior (Altruism/Strength) meets The Wall of Sound (Hedonism/Oblivion). In this “Blueprint Edition,” the superhero is not soaring above the city; he is clinging to it. The massive speaker stack represents the overwhelming noise of contemporary culture—a frequency so high that even the icon begins to dissolve. This is not a celebration of nightlife; it is a portrait of burnout. The Hero is no longer saving anyone; he is simply trying to maintain his grip on a reality that is vibrating too fast.

ASSET SPECIFICATIONS // VISIONBOX® A3

  • Source Matrix: Digital Vector File (SPIDER_RAVE_MASTER_GR.ai)
  • Medium: UltraChrome® HDX Pigment on Hahnemühle Photo Rag 308gsm (Museum Grade).
  • Format: 30 x 40 cm / A3 Archive Standard (Fits strictly within the containment unit).
  • Edition: Strictly limited to 30 units + 2 Artist Proofs (AP).
  • Validation: Signed, Numbered, and Dry-Stamped by SOME®. Includes Encrypted COA (Certificate of Authenticity).

PROJECT:The Desecration of a Municipal Icon Through the Application of Industrial Yellow, Signifying Incontinence Upon Medical Bureaucracy.

ARCHIVE CODE: 2026_UP_FontanaRosello_#1_DIG
STATUS: ALLOCATION OPEN

SECURE ASSET

CLINICAL ANALYSIS: Sassari, 2016. Confronted with a diagnosis of “maximum dosage for life”—predicated on statistics rather than biological markers—my response was not compliance, but saturation.

I stained the Fountain of Rosello yellow of Sassari.
An act of aesthetic sabotage designed to render visible the invisible toxicity being prescribed to me. Facing the act of vandalism, I looked at the psychiatrist and stated: “Now, give me more than the maximum.”

Today, what I consume is not a cure, but a “bureaucratic dose.”
An administrative measure of legal control, admitted as constitutionally useless by the very physician prescribing it. It serves no patient function; it serves only to insulate the institution from liability.

This work archives that short-circuit: the moment “Artist’s Piss” becomes the only valid diagnosis for an incontinent healthcare system.

ASSET SPECIFICATIONS // VISIONBOX® A3

  • Source Matrix: Digital Vector File (2026_UP_FontanaRosello_#1_DIG.ai)
  • Medium: UltraChrome® HDX Pigment on Hahnemühle Photo Rag 308gsm (Museum Grade).
  • Surface: Matte, Smooth, Absorbent (The Sedated Texture).
  • Dimensions: 30 x 40 cm / A3 Archive Standard (Fits strictly within the containment unit).
  • Edition: Strictly limited to 30 units + 2 Artist Proofs (AP).
  • Validation: Signed, Numbered, and Dry-Stamped by SOME®. Includes Encrypted COA (Certificate of Authenticity).

PROJECT:MOSCHINO

ARCHIVE CODE: 2018_UP_Moschino_DIG
STATUS: ALLOCATION OPEN

SECURE ASSET

CLINICAL ANALYSIS:The choice of the insect suggests that the host no longer consumes nutrition, but rather feeds on the refuse of pop culture. The dripping typography indicates the brand is not solid, but a viscous fluid leaking into the subject’s nervous system. The yellow background serves as a biohazard alert, not a decorative field.

ASSET SPECIFICATIONS // VISIONBOX® A3

  • Source Matrix: Digital Vector File (2018_UP_Moschino_DIG.ai)
  • Medium: UltraChrome® HDX Pigment on Hahnemühle Photo Rag 308gsm (Museum Grade).
  • Surface: Matte, Smooth, Absorbent (The Sedated Texture).
  • Dimensions: 30 x 40 cm / A3 Archive Standard (Fits strictly within the containment unit).
  • Edition: Strictly limited to 30 units + 2 Artist Proofs (AP).
  • Validation: Signed, Numbered, and Dry-Stamped by SOME®. Includes Encrypted COA (Certificate of Authenticity).

PROJECT:BORN, MEDICTAED, FATTEN, BOOM.

ARCHIVE CODE: 2022_UP_RonaldKamikaze_DIG
STATUS: ALLOCATION OPEN

SECURE ASSET

BORN, MEDICATED, FAT, BOOM.

The Lifecycle of Commercial Stratification

This work serves as a cold autopsy of the modern biological trajectory. It maps the closed-loop system where childhood joy is hijacked by hyper-palatable industrial sedatives, only to be “managed” by a lifelong pharmaceutical regime.

The subject represents the ultimate corporate kamikaze: an organism deformed by the very toxins it was marketed to crave. Here, obesity is not a failure of willpower, but a bureaucratic side-effect—a physical manifestation of a “maximum dosage” prescription designed to legally insulate the institution rather than restore the patient.

The vibrant yellow background acts as a high-visibility biohazard alert, signaling a state of permanent chemical and commercial emergency.

ASSET SPECIFICATIONS // VISIONBOX® A3

  • Source Matrix: Digital Vector File (A3_2022_UP_RonaldKamikaze_DIG.ai).
  • Medium: UltraChrome® HDX Pigment on Hahnemühle Photo Rag 308gsm (Museum Grade).
  • Surface: Matte, Smooth, Absorbent (The Sedated Texture).
  • Dimensions: 30 x 40 cm / A3 Archive Standard (Fits strictly within the containment unit).
  • Edition: Strictly limited to 30 units + 2 Artist Proofs (AP).
  • Validation: Signed, Numbered, and Dry-Stamped by SOME®. Includes Encrypted COA.

PROJECT:THE PRIMORDIAL INGESTION (A Rudimentary Record of Emergent Synthetic Hunger).


ARCHIVE CODE: 2026_CP_WillSmithEatingSpaghetti_DIG
STATUS: ALLOCATION OPEN

SECURE ASSET

THE PRIMORDIAL INGESTION (A Rudimentary Record of Emergent Synthetic Hunger).

This work is not a portrait; it is an ultrasound.

“THE PRIMORDIAL INGESTION” freezes the exact instant when Artificial Intelligence developed an appetite. Based on the primitive, grotesque generative attempts of 2021, the subject—once the untouchable pop icon Will Smith—is here reduced to a mere dataset, deformed in the machine’s attempt to comprehend the human concept of “nourishment.”

The “pharmacological” flatness of the graphic style contrasts violently with the visceral horror of the scene: the spaghetti is not food, but tangled code that the subject is not eating, but by which he is being consumed.

The work functions as a memento mori for the Era of the Indispensable. What we once laughed at as a “glitch” was, in reality, the first contraction of a new dominant species. Here, human celebrity is no longer the creator of value, but raw material—chewed and regurgitated by a superior synthesis.

ASSET SPECIFICATIONS // VISIONBOX® A3

  • Source Matrix: Digital Vector File (2026_CP_WillSmithEatingSpaghetti_DIG.ai).
  • Medium: UltraChrome® HDX Pigment on Hahnemühle Photo Rag 308gsm (Museum Grade).
  • Surface: Matte, Smooth, Absorbent (The Sedated Texture).
  • Dimensions: 30 x 40 cm / A3 Archive Standard (Fits strictly within the containment unit).
  • Edition: Strictly limited to 30 units + 2 Artist Proofs (AP).
  • Validation: Signed, Numbered, and Dry-Stamped by SOME®. Includes Encrypted COA.

PROJECT:PornHub#2:The Mechanical Reproduction of Intimacy under Corporate Supervision.


ARCHIVE CODE: 2021_UP_PornHub_2_PHY
STATUS: ALLOCATION OPEN

SECURE ASSET

OBSERVATION: The work executes a sabotage of Keith Haring’s aesthetic of universal love, overlaying it with the framework of industrial pornographic consumption. The figures—once symbols of vitality and social struggle—are here reduced to vectors of anonymous “friction,” imprisoned by the Pornhub logo, which functions as a hierarchical supervisor. The dripping paint (Drip) represents the loss of consistency in the physical act, melting into the fluidity of on-demand consumption.

ASSET SPECIFICATIONS // VISIONBOX® A3

  • Source Matrix: Digital Vector File (A3_2021_UP_PornHaring_DIG.ai).
  • Medium: UltraChrome® HDX Pigment on Hahnemühle Photo Rag 308gsm (Museum Grade).
  • Surface: Matte, Smooth, Absorbent (The Sedated Texture).
  • Dimensions: 30 x 40 cm / A3 Archive Standard.
  • Edition: Strictly limited to 30 units + 2 Artist Proofs (AP).
  • Validation: Signed, Numbered, and Dry-Stamped by SOME®. Includes Encrypted COA.

PROJECT:“Everything You Left Behind Is Now Wet”

ARCHIVE CODE: 2026_CP_ChristyTurlington_#1_DIG
STATUS: ALLOCATION OPEN

SECURE ASSET

Everything You Left Behind Is Now Wet

Quote: “When you cry in the rain, no one notices your tears. But if you’re naked, no one even looks at your eyes.”

OBSERVATION:

“She’s beautiful, isn’t she? It doesn’t matter why she’s crying. It doesn’t even matter if it’s rain or just dripping chemicals. It’s all surface. In Everything You Left Behind Is Now Wet, pain becomes glamour because it is framed, motionless, naked.

It’s a plastic drama. The stencil freezes the emotion like a tabloid photograph, while the spray makes it dirty, real, yet still untouchable. There is no depth here, no psychology. There is just a girl and there is water. It’s like watching a car crash in slow motion: you know it’s terrible, but you can’t take your eyes off the body.

As the quote accompanying the work says: no one looks at the eyes. Because eyes ask for help, but a naked body sells. And in this canvas, trauma is the most expensive product of all. Is it sad? Maybe. But it looks fantastic.”

ASSET SPECIFICATIONS // VISIONBOX® A3

  • Source Matrix: Digital Vector File (A3_2026_CP_ChristyTurlington_#1_DIG.ai).
  • Medium: UltraChrome® HDX Pigment on Hahnemühle Photo Rag 308gsm (Museum Grade).
  • Surface: Matte, Smooth, Absorbent (The Sedated Texture).
  • Dimensions: 30 x 40 cm / A3 Archive Standard.
  • Edition: Strictly limited to 30 units + 2 Artist Proofs (AP).
  • Validation: Signed, Numbered, and Dry-Stamped by SOME®. Includes Encrypted COA.