Critical Pop Originals by SOME® — Hand-sprayed, signed and certified.

Each canvas is a unique hand-sprayed artwork by SOME®, part of the Critical Pop series.
Signed, certified, and shipped worldwide from Italy.

Painting “Smoking Stone” (2021) by SOME®. A large-scale stencil and spray artwork depicting a stone smiley face with donut eyes, merging pop culture irony with symbolic decay and addiction.

EBBASTA! (2021) — SOME®

Stencil & spray paint on canvas / 150×100 cm
1/1 Original — Archive Code: SS-2021-01
Not publicly available. Collector access required.

A yellow smile dissolves under excess: sugar becomes hallucination,
vice becomes identity, addiction becomes pop.
The cracked grin marks the fracture between pleasure and decay.

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WHY COLLECT THIS WORK
This piece belongs to the early Sick Smile cycle (2020–2023), one of the
defining bodies of work in the SOME® Critical Pop archive.
Most works from this cycle are now held in private collections, making this
one of the last available originals.

Registered in the SOME® Archive 2018–2025, this canvas marks the transition
from studio experimentation to institutional recognition, before the brand’s
international expansion phase.

1/1 — no editions, no reproductions.
Long-term value tied to the evolution of the Sick Smile mythology.

— SOME® Archive 2018–2025 All Rights Reserved | www.someoneyelling.com
AVAILABLE FOR COLLECTORS
(by request only)
QUEER (2022) by SOME® — Pop Art portrait of a royal figure with irony and rebellion, stencil and spray paint on canvas

QUEER (2022) — SOME®

Stencil & spray paint on canvas / 70×50 cm
1/1 Original — Archive Code: UP-2022-03
Not publicly available. Collector access required.

A royal icon becomes subversive: irony and rebellion dethrone the sacred.
Power turns to parody; elegance becomes provocation.
A pink rebellion that questions beauty, gender and authority.

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WHY COLLECT THIS WORK
This work is part of the Uncomfortable Pop cycle (2021–2024), a key body of work
in the SOME® Critical Pop archive, where cultural icons are dismantled and re-coded.

Most pieces from this cycle entered private collections between 2022 and 2024, making
this canvas one of the last remaining originals from the series.

Registered in the SOME® Archive 2018–2025, it marks the shift from figurative pop
reinterpretation to iconoclastic critique — a pivotal phase before the brand’s
international expansion.

1/1 — no editions, no reproductions.
Long-term value tied to the evolution of the Uncomfortable Pop series.

— SOME® Archive 2018–2025 All Rights Reserved | www.someoneyelling.com
AVAILABLE FOR COLLECTORS
(by request only)
Stencil and spray paint portrait of Loredana Bertè by SOME®, capturing the singer’s rebellious gaze and turning it into a pop icon of freedom and authenticity.

LOREDANA BERTÈ (2024) — SOME®

Stencil & spray paint on canvas / 70×50 cm
1/1 Original — Archive Code: PID-2024-02
Not publicly available. Collector access required.

A vivid icon of rebellion and authenticity.
Her gaze turns defiance into beauty — fragility into power.
A pop hymn to individuality and self-expression.

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WHY COLLECT THIS WORK
This canvas is part of SOME®’s Pop-Icon Dialogues cycle (2023–2025), where
figures from music and mass culture are re-coded into critical symbols of
identity, resistance and authorship.

Most works from this cycle entered private collections during 2023–2024,
making this one of the very few remaining originals.

Registered in the SOME® Archive 2018–2025, it marks the transition toward
a wider cultural dialogue between pop memory, gender identity and icon
deconstruction — a key phase preceding institutional and international expansion.

1/1 — no editions, no reproductions.
Long-term value tied to the evolution of the Pop-Icon Dialogues series.

— SOME® Archive 2018–2025 All Rights Reserved | www.someoneyelling.com
AVAILABLE FOR COLLECTORS
(by request only)
Abstract pop painting from SOME®’s A Sick Smile® series, featuring a white dripping smile symbol over a vibrant splattered background of red, blue, and green.

A SICK SMILE #4 (2024) — SOME®

Dripping & spray paint on canvas / 100×100 cm
1/1 Original — Archive Code: SSX-2024-04
Not publicly available. Collector access required.

A fractured smile becomes a mirror of human emotion.
Colors drip between joy and melancholy — every splash a fragment of identity.

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WHY COLLECT THIS WORK
This canvas is part of the extended Sick Smile cycle (2020–2025), the core
symbol of the SOME® Critical Pop universe.
Each variation in the series marks a different psychological chapter, making
the set a progressive archive of identity, excess and cultural saturation.

Most Sick Smile originals are already in private collections across Europe,
making this one of the final available works from the cycle.

Registered in the SOME® Archive 2018–2025, this piece bridges the shift from
street-based extraction to conceptual studio evolution — a key stage before
institutional expansion and international market entry.

1/1 — no reproductions.
Long-term value tied to the central icon of the SOME® mythology.

— SOME® Archive 2018–2025 All Rights Reserved | www.someoneyelling.com
AVAILABLE FOR COLLECTORS
(by request only)

SUPERME (2024) — SOME® 

Stencil & spray paint on canvas / 140×70 cm  
1/1 Original — Archive Code: CPC-2024-01
Not publicly available. Collector access required.

Superme deconstructs one of the most iconic streetwear logos, turning it into
a bleeding emblem of consumer identity — an ironic reflection on desire,
fashion, and the commodification of rebellion.

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WHY COLLECT THIS WORK
This canvas is part of the Critical Pop Codes cycle (2023–2025), in which
symbols of mass culture are dismantled and re-coded as artifacts of consumer myth.

Most works from this cycle entered private collections during 2023–2024,
making this one of the final originals still available.

Registered in the SOME® Archive 2018–2025, it marks the shift from subcultural
reference to global critique — a key moment before the international expansion
of the brand and the institutional phase of the archive.

1/1 — no editions, no reproductions.
Long-term value tied to the evolution of the Critical Pop Codes series and the
cultural weight of the logo intervention.

— SOME® Archive 2018–2025 All Rights Reserved | www.someoneyelling.com
AVAILABLE FOR COLLECTORS
(by request only)

Stencil e spray su tela raffigurante Ronald McDonald in posa esultante su fondo giallo, simbolo satirico del consumismo e della dipendenza farmaceutica.

NASCI, CURATI, INGRASSA, ESPLODI (2025) — SOME®

Stencil & spray paint on canvas / 100×150 cm
1/1 Original — Archive Code: CPC-2025-05
Not publicly available. Collector access required.

A biting satire on consumerism and pharmaceutical dependence.
The fast-food clown detonates into a manic symbol of excess —
celebration and collapse in a single gesture.

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WHY COLLECT THIS WORK
This canvas is a core work within SOME®’s Critical Pop Series (2022–2026),
where branding, medicine and mass culture collide into a single
post-consumer mythology.

Most early Critical Pop works are already held in private collections across
Italy and Europe, making this one of the first 2025 originals available for acquisition.

Registered in the SOME® Archive 2018–2025, it marks the transition into the
“system critique” phase of the brand — a shift from pop irony to explicit
cultural indictment, ahead of the institutional and international expansion.

1/1 — no editions.
Long-term value tied to the 2025 phase of the Critical Pop archive.

— SOME® Archive 2018–2025 All Rights Reserved | www.someoneyelling.com
AVAILABLE FOR COLLECTORS
(by request only)
Pop art painting “TONY BANANA (2025)” by SOME®, depicting Tony Montana humorously holding a banana instead of a gun. Stencil and spray paint on canvas, 120×100 cm.

TONY BANANA (2025) — SOME®

Stencil & spray paint on canvas / 120×100 cm
1/1 Original — Archive Code: IPC-2025-02
Not publicly available. Collector access required.

A pop-satirical reimagining of Tony Montana — armed not with a gun but with a banana.
Both threatening and absurd, the work turns cinematic violence into parody:
a critique of excess, myth and masculine spectacle.

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WHY COLLECT THIS WORK
Part of SOME®’s Icon Parody Cycle (2024–2026), where film archetypes,
street icons and pop-myths are dismantled and rewritten through irony.

Only two works from this cycle have entered private collections so far,
making this an early, highly scarce acquisition opportunity.

Registered in the SOME® Archive 2018–2025, the piece marks the shift from
consumer-critique to cultural myth-hacking — a key phase before the museum
and institutional expansion of the archive.

1/1 — no editions, no reproductions.
Long-term value tied to the cinematic + pop-culture crossover market.

— SOME® Archive 2018–2025 All Rights Reserved | www.someoneyelling.com
AVAILABLE FOR COLLECTORS
(by request only)
FLIRT (2025) — Stencil and spray paint pop art by SOME®, Disney reinterpretation exploring seduction and gender roles through irony.

FLIRT (2025) — SOME®

Stencil & spray paint on canvas / 120×100 cm
1/1 Original — Archive Code: PID-2025-03
Not publicly available. Collector access required.

A playful collision of myth and fairy tale —
Flirt merges Hercules and Cinderella in a moment suspended between irony and tenderness.

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WHY COLLECT THIS WORK
A key work within SOME®’s Pop-Icon Dialogues cycle (2024–2026), where figures from
animation, mythology and global storytelling are re-wired into contemporary cultural satire.

Flirt represents a rare crossover between the “myth series” and the “media icon series,”
making it one of the most hybrid and collectible canvases of the cycle.

Only three works from Pop-Icon Dialogues remain available.
All earlier works from 2024 are already in private collections.

Registered in the SOME® Archive 2018–2025.
1/1 — no editions, no future reproductions.

Long-term value tied to the evolution of the icon-critique body of work and to the
global familiarity of the image source — mythology + Disney archetypes.

— SOME® Archive 2018–2025 All Rights Reserved | www.someoneyelling.com
AVAILABLE FOR COLLECTORS
(by request only)