A SICK SMILE (2018) — SOME®

Acrylic dripping on canvas / 100×100 cm

STATUS: SOLD — Private Collection (Italy)
Archive Code: 2018_SS_ASickSmile_#1_PHY

Origin Case Study.

The inaugural physical manifestation of the Sick Smile asset. This specific canvas documents the transition from spontaneous physical discharge to highly coded, systematic iconography.

Developed during the Self-Transcendence Phase (2018–2019), the work serves as a foundational study in material anxiety: a clinical yellow background subjected to a violent, deteriorating black dripping. It marks the precise moment where visceral human distress is frozen and packaged into a perfect, permanent corporate logo.

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ARCHIVE DOSSIER / SPECIFICATIONS:

• Zero-Point Specimen: Documented as the absolute progenitor of the Sick Smile series in the SOME® permanent registry.
• Zero-Replication Policy: Strict 1/1 physical original. No digital blueprints, physical replicas, prints will be authorized.
• Structural Foundation: The primary canvas establishing the formal tension between rigid geometric stencil elements and uncontrolled chemical gravity.
• Historical Position: Closed acquisition prior to the institutional transition into the Clinical Pop era.

This asset is permanently held in a private archive. Sealed registry. Strictly unavailable for acquisition.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

A SICK GIRL (2018) — SOME®

A SICK GIRL (2018) — SOME®

Medium: Industrial aerosol and stencil on canvas / 70×50 cm

Status: SOLD — Private Collection (Australia)

Archive Code: 2018_SS_ASickGirl_PHY

The complementary biological specimen to A SICK SMILE (2018). This canvas documents the second historical entry in the SOME® proto-archive, capturing the translation of acute psychological trauma into a flat, standardized chromatic system.

While A SICK SMILE represents a vertical dissolution through chemical gravity (the Drip), A SICK GIRL operates under the synthetic glare of simulated neon exposure. The work freezes a fractured, somatic state immediately before its complete containment and digestion into the clean, geometric branding of the subsequent Critical Pop era.

Specimen Registry 02: Documented as the second physical entry in the Sick Smile proto-archive.

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ARCHIVE DOSSIER / SPECIFICATIONS:

Systemic Diptych: Programmed to establish a dual conceptual axis with A SICK SMILE (2018), visualising the tension between corporate masking (Stencil) and visceral, organic collapse (Drip).

Zero-Replication Policy: 1/1 physical original.

Transitional Interface: The definitive bridge work linking raw, figurative human distress to abstract, commercial iconography.

Historical Position: Acquired and locked in a private international registry prior to the formalized institutional launch of the Clinical Pop series.

This asset is permanently held in a private archive (AU). Sealed registry. Strictly unavailable for acquisition.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

RIOT (2018) — SOME®

Medium: Industrial aerosol and stencil on canvas / 70×100 cm
Status: PRIVATE TRANSACTION — Closed Registry (Not for public acquisition)
Archive Code: 2018_UP_Riot_PHY

Operational Transaction / Study in Simulated Dissent.

Executed as an early client-funded intervention, RIOT examines the systemic digestion of civic friction. The work synthesizes a raw spectacle of unrest with the rigid interface of quantified social validation—specifically, a broken empathy metric (the simulated notification interface) hovering over a commercialized fire.

Rather than offering standard social critique, the canvas documents the exact point of collapse where a desperate biological demand (“LET US LIVE”) is flattened, stencilized, and packaged as a premium aesthetic commodity for private domestic display.

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ARCHIVE DOSSIER / SPECIFICATIONS:

• First External Transaction: Documented as the inaugural client-funded operational study within the SOME® permanent registry.
• Exclusive Asset Lock: Strict 1/1 physical original. No digital blueprints, secondary editions, or public replicas exist or will be authorized.
• Systemic Divergence: Catalogued outside the primary Sick Smile and Clinical Pop cycles as a standalone structural deviation.
• Controlled Symbiosis: Documents an early, direct interface between private collector parameters and uncompromising, brand-aligned aesthetic sabotage.
• Permanently Closed Portfolio: Under strict registry protocol. This asset is completely withdrawn from the market and closed to future replication.

Sealed Registry — SOME® Archive 2018-2026.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

MEDICINE (2019) — SOME®

Medium: Industrial aerosol, acrylic dripping, and stencil on canvas / 150×100 cm

Status: SOLD — Private Collection

Archive Code: 2019_UP_SideBabyMedicine_PHY

Diagnostic Case Study / The Brand-as-Pill Protocol.

MEDICINE stands as the primary diagnostic study mapping the absolute fusion of luxury consumerism and neurological sedation. By converting an iconic commercial logo into a literal psychotropic molecule, the canvas documents the eradication of the boundary between corporate desire and pharmaceutical dependency.

Executed in an aggressive, chemically simulated palette, the subject acts simultaneously as the specimen and the patient—a biological entity preserved in a permanent state of synthetic homeostasis. The work functions as a visual autopsy of a society where self-image, status, and cognitive anxiety are regulated through curated brand consumption.

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ARCHIVE DOSSIER / SPECIFICATIONS:

• Molecular Progenitor: Documented as the absolute baseline canvas establishing the “brand-as-chemical-agent” framework in the SOME® permanent registry.
• Large-Format Registry: High-dimension physical asset locked in an exclusive private collection (2021) following strategic acquisition.
• Structural Genesis: A foundational, high-value anchor piece signaling the formal transition into the Clinical Pop era.
• Systemic Interface: Replaces standard pop appropriation with a cold diagnostic of corporate-induced escapism.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will ever be authorized.

Sealed Registry — SOME® Archive 2019-2026.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

CARA DELEVINGNE (2019) — SOME®

Medium: Industrial aerosol and high-contrast stencil on canvas / 120×100 cm

Status: SOLD — Private Collection

Archive Code: 2019_CP_CaraDelevingne_PHY

Diagnostic Text

By subjecting a hyper-visible cultural asset to extreme, chemically simulated chromatic contrasts, the work dissects the structural tension between the pristine corporate mask (the Stencil) and the visceral friction underlying it. The synthetic blue gaze represents a frozen state of systemic overstimulation—a standardized icon processed, filtered, and preserved under the sterile glare of modern attention markets.

Specimen Analysis / The Hyper-Exposed Interface.

CARA DELEVINGNE acts as a critical case study in the flattening of human subjectivity into high-frequency capital. The portrait functions not as a depiction of an individual, but as a diagnostic map of an overexposed commercial interface.

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ARCHIVE DOSSIER / SPECIFICATIONS:

• Secondary Specimen: Documented as the second major study within the Celebrity Phase, expanding the somatic investigations initiated by A SICK GIRL (2018).
• Systemic Precursor: Serves as the structural foundation for the subsequent transition into the Clinical Pop cycle.
• Chromatic Protocol: First documented application of high-saturation industrial neon pigment on a standardized commercial icon.
• Interface Rupture: Formally maps the collapse of fashion industry mythology under intense psychological friction.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or public replicas exist or will be authorized.

Sealed Registry — SOME® Archive 2019-2026.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

MICKEY’S (2019) — SOME®

Medium: Industrial aerosol, high-gloss acrylic, and stencil on canvas / 150×100 cm

Status: SOLD — Private Collection

Archive Code: 2019_GR_Mickeys_PHY

Specimen Analysis / The Grammar of Possession.

MICKEY’S serves as the inaugural operational study in Linguistic Sabotage and Visceral Pop within the SOME® permanent registry. The work uses the possessive apostrophe not as a linguistic marker, but as a structural mechanism of capital architecture: an ultimate corporate shell repurposed as a biological host for high-end luxury branding.

Set against a saturation of toxic, high-gloss industrial yellow, the iconic childhood silhouette is fully colonized by quantified status signifiers. Rather than offering standard pop irony, the canvas documents a state of total systemic assimilation—where infantile innocence is liquidated and replaced by an artificial, hyper-branded reality engineered to regulate consumer identity and social anxiety.

ARCHIVE DOSSIER / SPECIFICATIONS:

Linguistic Progenitor: Documented as the baseline canvas introducing the Apostrophe-as-Ownership linguistic protocol into the brand’s practice.

Morphological Precursor: Acts as the primary 2D structural study laying the groundwork for the subsequent figurative mutations and tridimensional iconographies within the archive.

Systemic Appropriation: Replaces traditional street art pastiche with a clinical autopsy of corporate faith and consumer addiction.

Large-Format Registry: High-dimension 1/1 physical asset permanently locked in a private collection (2020) following strategic institutional transaction.

Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Sealed Registry — SOME® Archive 2019-2026

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

LIL BART (2019) — SOME®

Medium: Industrial aerosol, acrylic, and high-contrast stencil on canvas / 150×100 cm

Status: SOLD — Private Collection

Archive Code: 2019_GR_LilBart_PHY

Diagnostic Case Study / The Arrested Regression Protocol.

LIL BART marks a critical transition within the SOME® permanent registry, shifting from superficial pop satire to systemic pathological cartography. The work isolates a global emblem of standardized juvenile friction at the exact coordinates of metabolic and cognitive collapse.

By injecting somatic tattoo-language (“LOVE ME FOREVER”) and crowning the cartoon host with a rigid, stencilized crown of thorns, the canvas documents the institutionalization of self-damage. The flat, industrial yellow surface ceases to represent infantile play; instead, it operates as a clinical biohazard indicator, visualizing how hyper-capitalist systems extract, commodify, and canonize the very trauma and addictive feedback loops they generate.

ARCHIVE DOSSIER / SPECIFICATIONS:

Somatic Inscription: Documented as the primary canvas introducing tattoo-language as a clinical, somatic marker within the brand’s registry.

Iconographic Anchor: Establishes the foundational execution of the “LOVE ME FOREVER” somatic distress formula—subsequently utilized as a high-value repeating motif across the 2020–2024 cycles.

Structural Hinge: Serves as the definitive piece bridging early post-graffiti pastiche with the hyper-codified Clinical Pop paradigm.

Asset Locking: Large-format physical original permanently withdrawn from market distribution through an exclusive private transaction (2022).

Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Sealed Registry — SOME® Archive 2019-2026

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

MOSCHINO (2019) — SOME®

Stencil & spray paint on canvas / 150×100 cm
STATUS: SOLD — Private Collection
Archive Code: 2019_UP_Moschino_PHY

Diagnostic Case Study / The Parasitic Colonization Protocol.

MOSCHINO stands as the inaugural systemic study investigating the biological decay of branded identities within the SOME® permanent registry. By obliterating the subject’s face with a heavy, clinical fly-mask motif, the canvas documents a state of parasitic intervention: the exact coordinate where high-fashion corporate iconography acts as a synthetic host for biological decomposition.

Rather than a metaphor for contaminated beauty, the work presents a sterile diagnostic of human subjectivity under capitalist realism. The corporate logo is no longer merely worn; it is anatomically integrated as a mask. The frozen, chemical neon hues capture a synthetic organism suspended in terminal homeostasis—fully stripped of its vocal agency and surviving strictly as an asset of attention extraction.

ARCHIVARCHIVE DOSSIER / SPECIFICATIONS:E NOTES

Vector Progenitor: Documented as the absolute first physical appearance of the parasitic “fly-mask” protocol in the registry, later utilized to regulate the visual systems of the 2020–2022 cycles.

Structural Interface: Bridges early brand-appropriation and fashion-iconography studies with acute psychological and somatic rupture.

Text-Asset Integration: Represents a rare 2019 structural convergence, embedding an untouched poetic blueprint directly into the clinical visual asset.

Asset Lock: Large-format physical original permanently withdrawn from market distribution through an exclusive private transaction (2022).

Zero-Replication Mandate: Strict 1/1 physical original. No physical replicas exist or will be authorized.

Poetic fragment (EN)

“If you smile and then fall silent
Before saying your name,
I’m an alien who doesn’t know time,
And I stand still with the world
Just to watch you.”

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

AIR FORCE 1 (2019) — SOME®

Stencil & spray paint on canvas / 100×80 cm
STATUS: SOLD — Private Collection
Archive Code: AF-2019-01

Diagnostic Case Study / Kinetic Friction Protocol.

AIR FORCE 1 acts as a cold diagnostic of kinetic exhaustion and somatic erosion under late-capitalist friction. By isolating a mass-produced global commodity and treating it as a decaying organic relic, the work documents the physical wear of a biological host operating within informal, precarious transaction networks.

The blurred, heavy paint strokes do not romanticize the “hustle”; instead, they capture a state of metabolic depletion. The scuffed and eroded surface is stripped of corporate glamour, serving as a material registry of physical labor. The canvas visualizes the ultimate loop of capitalist realism: the process by which human exhaustion, wear, and systemic marginalization are extracted, aestheticized, and successfully converted into premium symbolic capital for private domestic preservation.

ARCHIVE DOSSIER / SPECIFICATIONS:

• Kinetic Progenitor: Documented as the absolute baseline canvas introducing the “commodity-as-eroded-relic” framework within the SOME® permanent registry.
• Used Commodity Inversion: Establishes the formal protocol where physical erosion, soil, and somatic fatigue are systematically inverted into premium luxury signifiers.
• Morphological Transition: Bridges raw, expressive painterly application with the highly structured, cold conceptual layouts of the Clinical Pop era.
• Archetypal Precursor: Serves as the primary 2D blueprint anticipating the development of the “informal market dealer” archetype throughout the 2020–2023 visual cycles.
• Asset Lock: Closed transaction. Physical 1/1 original permanently secured in a private collection (2021).
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Acquired by private collector in 2021
Registered in the SOME® Archive 2018–2026.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

UNTRAPPED (2019) — SOME®

Stencil & spray paint on canvas / 100×100 cm
STATUS: SOLD — Private Collection
Archive Code: 2019_UP_HomerSimpsonPillsStadium_PHY

Diagnostic Case Study / The Pharmacological Loop Protocol.

UNTRAPPED operates as a primary forensic study investigating somatic compliance and the systematic colonization of the central nervous system under late-capitalist realism. By isolating a mass-media cartoon host within a rigid, four-frame serial grid, the work documents the exact point where biological autonomy is replaced by an automated dosage protocol.

The canvas rejects standard social critique or parody; it acts as a clinical register of a systemically regulated subject locked in a perpetual cycle of chemical regurgitation. The aggressive, highly saturated palette is stripped of playfulness, operating instead as hospital-grade simulated luminescence—clean, sterile, and structurally violent. Subjectivity is fully flattened into statistical compliance: the character is no longer portrayed, but chemically and visually processed into a permanent corporate asset.

ARCHIVE NOTES

• ARCHIVE DOSSIER / SPECIFICATIONS:
• Serial Grid Registry: Documented as the primary four-frame study mapping serialized pharmacological control and automated behavioral loops within the SOME® permanent registry.
• Somatic Anesthesia: Systematically translates cartoon banality into a sterile, medicalized reliquary of contemporary chemical containment.
• Compliance Interface: Integrates pop-culture iconography with clinical data, transforming the subject from a psychological entity into a processed, compliant unit.
• Asset Lock: Closed transaction. Physical 1/1 original permanently secured in a private archive (2020).
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Registered in the SOME® Archive 2019–2026.

— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com

IVRE SAUVAGE (2019) — SOME

Stencil & spray paint on canvas / 150×100 cm
STATUS: SOLD — Private Collection
Archive Code: UP-2019-04

Diagnostic Case Study / The Somatic Ritual Protocol.

IVRE SAUVAGE operates as an archive study examining the historical geneology of commodity-induced sedation and elite behavioral control. By decomposing Belle Époque French advertising iconography, the canvas exposes the systematic conversion of chemical toxicity into a premium social signifier.

The figures in top-hat and gown are completely stripped of subjective depth; they operate as standardized, flat templates executing a pre-programmed ritual of consumption. Set against a high-saturation, sterile yellow backdrop, the composition isolates the precise historical coordinate where substance dependency was first institutionalized and aestheticized as bourgeois decorum. The stencil fractures represent systemic friction, revealing how the illusion of subjective pleasure is entirely manufactured, regulated, and sustained by market forces.

ARCHIVE DOSSIER / SPECIFICATIONS:

Historical Blueprint Deviation: Documented as an early visual intervention tracing the genealogy of mass advertising as an apparatus of chemical pacification.

Operational Intervention: Executed as a site-specific transaction for a private repository, systematically inverting decorative function into a cold diagnostic of social dependency.

Anesthetic Prototype: First registered application of chemical addiction motifs (alcohol as a systemic sedative) packaged under the guise of elite elegance.

Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

1/1 original — no prints or reproductions issued
Registered in the SOME® Archive 2019–2026.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

SCROOGE MC DUCKIN’ (2019) — SOME®

Stencil & spray paint on canvas / 100×100 cm
STATUS: SOLD — Private Collection
Archive Code: UP-2019-05

Diagnostic Case Study / The Fragile Leverage Protocol.

SCROOGE MC DUCKIN’ operates as a forensic audit of systemic fragility and simulated leverage under late-capitalist transaction networks. The work isolates a flat, counterfeit host executing the somatic performance of abundance (“McDuckin’”) while being structurally exposed to absolute downside risk (systemic debt).

By crowning the debtor with a simulated Louis Vuitton x Supreme beret, the canvas dissects luxury branding not as a status symbol, but as a predatory extraction mechanism. Under this framework, corporate collusions act as synthetic assets designed to harvest real capital from an un-leveraged, infantilized demographic. The subject is trapped in a closed, negative feedback loop: mimicking the anti-fragility of the asset-owning elite (Scrooge) while drowning in the fragile, borrowed reality of consumer credit (Donald).

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ARCHIVE NOTES

• ARCHIVE DOSSIER / SYSTEMIC VALUATION:
• Leverage Progenitor: Documented as the primary 2D study investigating the psychology of debt-driven aspiration and counterfeit asset-simulation in the registry.
• Asymmetric Exposure Map: Formally records the transition from passive pop-culture consumption to active, high-risk status performance.
• Predatory Cartography: Analyzes the corporate-collusion myth (LV x Supreme) as an engineered chemical halo designed to neutralize financial consciousness.
• Anti-Fragile Lock: Transacted and secured in a private collection (2019). The physical 1/1 original acts as a non-depreciating, long-term symbolic asset protected from market dilution.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Registered in the SOME® Archive 2019–2026.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

VOGUE – A MODERN ROMANCE (2019) — SOME®

Stencil & spray paint on canvas / 120×100 cm
STATUS: SOLD — Private Collection
Archive Code: FM-2019-01

Diagnostic Case Study / The Editorial Standardization Protocol.

VOGUE – A MODERN ROMANCE operates as an archeological audit of editorial pacification and pre-programmed desire. The canvas analyzes the systematic process by which corporate media networks standardize biological attraction, packaging and distributing it under the simulated label of “romance” to regulate consumer subjectivity.

Rejecting the romanticized narrative of street-art disruption, the composition documents the structural fragility of mass-media iconography. By applying industrial stencil matrices and calculated aerosol degradation to a hyper-visible fashion artifact, the surface records the clash between synthetic, high-gloss perfection and visceral systemic wear. It marks the “first incision”—the precise coordinate where commercialized beauty is exposed as a fragile, standardized mask engineered for capital extraction and cognitive containment.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Editorial Progenitor: Documented as the inaugural physical appropriation of fashion-magazine infrastructure within the SOME® permanent registry.
• Fragile Desire Map: Formally records the transition from passive pop observation to a cold structural analysis of corporate-induced emotional leverage.
• Synthetic Interface Study: Precursory 2D blueprint establishing the formal parameters for later high-value investigations into media-saturated desires and commodified beauty.
• Anti-Fragile Wealth Preservation: Large-format physical 1/1 original. Secured in a private collection (2021) as an inflation-hedged, non-depreciating symbolic asset protected from market dilution.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Registered in the SOME® Archive 2019–2026.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

PORN HUB (2019) — SOME®

Marker & spray paint on canvas / 120×100 cm
STATUS: SOLD — Private Collection
Archive Code: DP-2019-01

Diagnostic Case Study / The Libidinal Extraction Protocol.

PORN HUB operates as a forensic audit of platform capitalism and the algorithmic regulation of human desire. The canvas maps the absolute assimilation of primary biological impulses into high-frequency corporate interfaces, documenting the exact point where the body is hollowed out and repurposed as a metric of attention extraction.

By executing a high-density matrix of anonymous, intertwined silhouettes—stripping the historical legacy of organic connection into a sterile, repetitive script—the surface simulates the mechanics of the infinite scroll. This work rejects standard subcultural critique; it acts as a cold register of a hyper-fragile psychological dependency, where individual intimacy is flattened, vectorized, and successfully monetized as a non-stop dopamine feedback loop.

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ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Libidinal Progenitor: Documented as the absolute baseline canvas introducing the “interface-as-predatory-host” framework within the SOME® permanent registry.
• Somatic De-sublimation: Systematically records the historical transition from expressive post-graffiti gesture to a highly codified, sterile media-critique language.
• Algorithmic Choreography Study: Precursory 2D structural layout analyzing mass desire not as psychological depth, but as a standardized currency of platform circulation.
• Anti-Fragile Asset Lock: Early-era transaction permanently secured in a private collection (2019). The physical 1/1 original functions as an inflation-hedged, non-dilutable symbolic asset insulated from digital volatility.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Registered in the SOME® Archive 2019–2026.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

MC FLY (2019) — SOME®

Stencil & spray paint on canvas / 120×100 cm / SOLD
Archive Code: UP-2019-05

Diagnostic Case Study / The Logistical Convergence Protocol.

MC FLY operates as a forensic audit of imperial logistics and mass pacification under late-capitalist realism. The work maps the absolute synthesis between global military infrastructure and fast-moving consumer goods, documenting the exact coordinate where technological destruction and industrial nutrition run on the same standardized supply chain.

Suspended against a simulated, chemically clean baby-blue void, the weaponized hardware is stripped of historical specificity and rebranded as a corporate asset. The falling kinetic payloads—executed through a rigid stencil matrix that mimics corporate food styling—reject standard anti-war satire. Instead, the canvas registers a state of absolute cognitive anesthesia: a system where macro-violence is processed with the same repeatable, scalable efficiency as a fast-food franchise, flattening global trauma into a digestible commodity.

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ARCHIVE NOTES

• Logistical Progenitor: Documented as the absolute baseline canvas introducing the convergence of fast-food signaling and military iconography within the SOME® permanent registry.
• Asymmetric Fallout Map: Formally records the deployment of corporate branding as a visual camouflage for systemic and state-sanctioned violence.
• Tactical Blueprint Study: Precursory 2D structural layout establishing the formal parameters for later high-value investigations into “status weapons” and institutional coercion.
• Anti-Fragile Wealth Lock: Early-era physical transaction permanently secured in a private collection (2019). The physical 1/1 original operates as a non-depreciating symbolic asset insulated from macroeconomic fragility.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Registered in the SOME® Archive 2019–2026.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

SWEET DREAMS ARE MADE OF PILLS (2019) — SOME®

Stencil & spray paint on canvas / 100×100 cm / SOLD
Archive Code: UP-2019-06

Diagnostic Case Study / The Chemical Dissolution Protocol.

SWEET DREAMS ARE MADE OF PILLS operates as a primary forensic audit of corporate-induced childhood mythologies subjected to synthetic homeostasis. The work maps the absolute collapse of localized nostalgia under late-capitalist realism, documenting the precise coordinate where globalized corporate iconography becomes an automated host for pharmaceutical containment.

Deconstructing a premier global emblem of manufactured innocence, the composition uses a dense, vertical gravity-drip matrix to visualize severe systemic fragility and asymmetric downside risk. The canvas rejects traditional subcultural or counter-cultural romance; it acts as a clinical register of a central nervous system artificially regulated by synthetic stimulants. Subjectivity is fully liquidated: the iconic facial architecture does not project identity, but leaks and dissolves, transitioning from a childhood brand into a cold, non-negotiable diagnostic specimen of modern neurological extraction.

ARCHIVE NOTES

• Meltdown Progenitor: Documented as the absolute baseline canvas introducing the “chemical meltdown” and somatic erosion protocols applied to global entertainment assets within the SOME® permanent registry.
• Asymmetric Vulnerability Map: Formally records the structural transition from soft consumer-pop imagery to a cold analysis of predatory, substance-driven dependency loops.
• Genealogical Anchor: Serves as the definitive historical blueprint and structural anchor for later high-value assets within the Clinical Pop era, directly dictating the formal parameters of works such as MEDICINE (2019) and LIL BART (2019).
• Anti-Fragile Position Lock: Early-era transaction permanently secured in a private collection (2020). The physical 1/1 original operates as a high-scarsity, inflation-hedged symbolic asset fully insulated from market dilution or reproduction.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Registered in the SOME® Archive 2019–2025.

— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com

FASHION WEEK (2020) — SOME®

Stencil & spray paint on canvas / 24×30 cm / SOLD
Archive Code: UP-2020-01

Diagnostic Case Study / The Accelerated Obsolescence Protocol.

FASHION WEEK operates as a forensic audit of cultural cannibalism and high-frequency anxiety under late-capitalist realism. The work hijacks a modernist European graphic specter—historically coded as an icon of linear progress and exploration—and subjects it to the sterile, hyper-accelerated temporal loop of seasonal attention markets.

Swallowed by a simulated corporate silhouette (the oversized status outer shell), the subject executes a frantic, non-signaling motion. This kinetic panic documents a culture where acceleration is mandatory and value decays instantly. The coat acts not as protective infrastructure, but as a fragile, high-leverage signifier of temporary status, capturing the absolute baseline condition of a society condemned to perpetual velocity with zero systemic destination.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

Iconographic Colonization: Documented as the inaugural physical intervention utilizing mid-century European comic design as an archival host for accelerationist diagnostics.

Velocity Registry: Formally charts the transition from raw structural critique to the mapping of high-frequency market anxiety and systemic hyper-turnover.

Textural Contrast: Implements a calculated, low-fidelity stencil language to destabilize the pristine, engineered aesthetic of luxury industries.

Precursory Framework: Serves as a primary structural link anticipating the complete liquidation of subject-depth found in the later Empty Identity cycles (2021–2024).

Anti-Fragile Wealth Lock: Closed market transaction. Physical 1/1 original permanently secured in a private collection (2022) as a non-dilutable symbolic asset insulated from macroeconomic instability.

Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Registered in the SOME® Archive 2018–2026.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

CORTO MALTESE (2020) — SOME®

Stencil & spray paint on canvas / 150×100 cm / 60×40 in / SOLD (Private Commission)
Archive Code: UP-2020-02

Diagnostic Case Study / The Sovereign Containment Protocol.

CORTO MALTESE operates as a forensic audit of the romantic outsider myth under late-capitalist realism. The work hijacks a premier mid-century European literary archetype—historically coded as a symbol of sovereign individualism and anti-systemic drift—and subjects its graphic identity to a rigid, industrial stencil framework.

The composition strips away the nostalgia of adventure lore to isolate a cold state of somatic containment. The subject’s signature cigarette ceases to represent romantic freedom; instead, it registers as an automated behavioral habit loop within an iper-regulated environment. The heavy black pigment and stark blue void reject simple homage, recording the exact coordinate where classical narrative autonomy is flattened, standardized, and permanently locked into a premium symbolic asset class.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Literary Host Inauguration: Documented as the primary physical intervention utilizing classical graphic literature as an archival host for structural diagnostic within the SOME® permanent registry.
• Operational Intervention: Executed as a client-funded asset transaction, systematically redirecting individual nostalgia into a cold, brand-aligned architectural registry.
• Chronological Hinge: Preserved as a core pre-2021 transition piece immediately preceding the formalized institutional shift into the Clinical Pop paradigm.
• Anti-Fragile Position Lock: Closed market transaction. Physical 1/1 original permanently secured in a private collection (2020) as a non-dilutable symbolic asset insulated from macroeconomic instability.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Registered in the SOME® Archive 2020–2026.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

DARK POLO GANG (2020) — SOME®

Stencil & spray paint on canvas / 150×100 cm / 60×40 in / SOLD
Archive Code: UP-2020-03

Diagnostic Case Study / The Hyper-Financialization Protocol.

DARK POLO GANG operates as a forensic audit of speculative fragility and automated wealth-signaling within regional attention economies. The work maps the absolute liquidation of youth subculture, documenting the exact coordinate where street rebellion is pre-incorporated, standardized, and replaced by the explicit choreography of market saturation.

The repeating “77” stencil matrices function not as subcultural symbols, but as rigid corporate logotypes dominating a chaotic vortex of replicated, non-signaling fiat currencies. The canvas rejects standard musical portraiture; it acts as a clinical register of an iper-fragile generational paradigm. Here, human subjects are hollowed out to serve as debt-driven distribution networks for luxury fashion monopolies, trading biological autonomy for high-frequency, volatile validation metrics.

ARCHIVE NOTES

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Trap Interface Progenitor: Documented as the inaugural physical entry utilizing localized trap iconography as an archival host for macroeconomic diagnostic within the SOME® registry.

Asymmetric Clout Map: Formally charts the structural collapse where subcultural resistance adopts the exact predatory language and luxury signifiers of the financial institutions it once simulated to oppose.

Speculative Currency Study: Deconstructs mass media hype not as artistic expression, but as a temporary, high-turnover commodity engineered to regulate consumer anxiety.

Anti-Fragile Asset Lock: Closed market transaction. Large-format physical 1/1 original permanently secured in a private repository (2023), converting highly volatile digital trends into an inflation-hedged symbolic asset protected from market dilution.

1/1 original — SOLD to private collector in 2023 — no reproductions issued

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

CORTINA D’AMPEZZO (2020) — SOME®

Stencil & spray paint on canvas / 70×100 cm / 27×40 in / AVAILABLE
Archive Code: UP-2020-07

Diagnostic Case Study / The Leisure Logistics Protocol.

CORTINA D’AMPEZZO operates as a forensic audit of hyper-commodified leisure and standardized behavioral postures within the SOME® permanent registry. Utilizing a premier geopolitical signifier of elite tourism as its framework, the canvas maps the complete erasure of human identity within pre-programmed nightlife networks.

The composition captures a body executing a precise, synthetic posture of socialization, yet the subject is entirely deleted. By applying a rigid, stencilized pixel-matrix over the facial architecture, the work records the optimization of the individual: human subjectivity is removed to allow the lifestyle brand and the corporate attire to achieve total visibility. The cold, neon-saturated nocturnal atmosphere rejects standard documentary photography; it acts as a clinical simulator of contemporary anesthesia, where the human form is hollowed out, digitized, and preserved strictly as a compliant asset for attention economies.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Pixel Progenitor: Documented as the absolute first physical appearance of the pixel-obscured identity protocol in the archive—a foundational milestone establishing the “empty identity” visual systems deployed across the 2021–2024 cycles.
• Somatic Posture Map: Formally records the transition from expressive post-graffiti gesture to a highly controlled, flat geometry mapping the choreography of simulated status.
• Asymmetric Risk Registry: Dissects the severe fragility of contemporary youth subcultures, frozen at the exact coordinate where presence is fully liquidated into corporate posture.
• Vetted Acquisition Status: Vetted physical original. Open for direct positioning within selected corporate or private repositories. Subject to institutional registration.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

CALMNESS (2020) — SOME®

Stencil & spray paint on canvas / 30×24 cm / 11×9 in / SOLD
Archive Code: UP-2020-08

Diagnostic Case Study / The Induced Homeostasis Protocol.

CALMNESS operates as an archival audit of somatic pacification and designed catatonia within the SOME® permanent registry. Reconfiguring the pristine codes of minimalist fashion portraiture, the silhouette maps the complete extraction of subjective noise to achieve a perfectly compliant consumer state.

The canvas rejects the romantic illusion of spiritual serenity; it records a state of neurological flatlining. The precise intervention of the parasitic fly vector on the facial architecture documents the systemic friction and biological decay underlying this artificial vacuum. Under late-capitalist realism, curated silence and “mindfulness” do not function as resistance—they operate as premium-grade anesthetics engineered to freeze the subject into an immutable, hyper-fragile posture of absolute containment.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Prototype Baseline: Documented as a core structural case study within the Silent Icons series, establishing the formal economy of zero-noise visual systems.
• Somatic Flatlining: Replaces standard emotional expression with a cold, clinical diagnostic of engineered, corporate-induced calm.
• Vector Convergence: Features an early configuration of the parasitic fly motif, formalizing the contamination of clean commercial layouts by biological reality.
• Anti-Fragile Position Lock: Transacted and permanently secured in a private collection (2021). The physical 1/1 original functions as a high-density, non-dilutable symbolic asset insulated from digital volatility.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

SOON! TO THE BAT CAVE (2020) — SOME®

Stencil & spray paint on canvas / 120×100 cm / 47×40 in / SOLD
Archive Code: UP-2020-09

Diagnostic Case Study / The Binary Homogenization Protocol.

SOON! TO THE BAT CAVE operates as a forensic audit of systemic polarization and the pre-programmed containment of conflict under late-capitalist realism. The work hijacks a premier global mythological binary—the eternal tension between institutional enforcement (the hero) and systemic friction (the villain)—documenting the exact coordinate where opposing corporate assets collapse into a singular, closed feedback loop.

The physical convergence between the two hosts marks the total elimination of narrative noise. Squeezed into a sterile, high-contrast red and blue vacuum, the subjects reject the romanticized illusion of intimacy or moral subversion. Instead, the surface records the structural reconciliation of opposite market forces: a visual autopsy proving that within the corporate matrix, law and transgression are merely twin interfaces engineered to regulate collective anxiety and extract symbolic capital.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Binary Progenitor: Documented as the absolute baseline canvas introducing the “structural convergence” protocol applied to adversarial media properties within the SOME® permanent registry.
• Somatic Closed Circuit: Formally charts the transition from traditional pop-culture opposition to a cold diagnostic mapping the homogenization of consumer-facing mythologies.
• Chromatic Protocol: Implements a calculated, split-pigment red and blue stencil matrix to dissect the artificiality of manufactured moral architectures.
• Anti-Fragile Wealth Preservation: Closed market transaction. Physical 1/1 original permanently secured in a private archive (2020) as an inflation-hedged, non-dilutable symbolic asset insulated from macroeconomic fragility.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

— SOME® Archive 2018–2026.
All Rights Reserved | www.someoneyelling.com

POPEYE E LA NEGAZIONE DEL PIACERE (PER LA SALVEZZA) (2020) — SOME®

Acrylic on canvas / 80×100 cm / 31.5×39.37 in / SOLD
Archive Code: UP-2020-10

Diagnostic Case Study / The Somatic Repression Protocol.

POPEYE E LA NEGAZIONE DEL PIACERE (PER LA SALVEZZA) operates as a forensic audit of physical discipline, hyper-optimized labor, and the systemic denial of biological gratification under late-capitalist realism. The canvas hijacks a classic industrial-era cartoon host, converting a popular emblem of resilience into a clinical register of structured ascetic restraint.

The subject’s tightly clenched, defensive posture records a severe state of structural fragility: a somatic entity completely over-leveraged by the enforcement of performance metrics. The classic commodity-activitor (the spinach) is deconstructed into its true biochemical function—a premier metabolic optimizer engineered to extract high-frequency physical output while completely blocking emotional release. Set against a sterile, non-signaling baby-blue void, the work documents the ultimate formatting of the working-class asset: a body that denies its own pleasure to maintain absolute compliance with industrial extraction systems.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Repression Metric Progenitor: Documented as the primary baseline canvas introducing the iconography of systemic discipline, behavioral restriction, and the containment of desire within the SOME® permanent registry.
• Structural Hinge: Formally charts the programmatic transition from Early Critical Pop frameworks into the highly structured, subsequent Uncomfortable Pop cycles.
• Moral Archetype Deconstruction: Replaces traditional pop parody with a cold diagnostic layout analyzing cartoon heroism as a pre-fabricated mechanism of moral coercion.
• Anti-Fragile Position Lock: Closed 2020 transaction permanently secured in a private collection, serving as an inflation-hedged, non-dilutable symbolic asset insulated from digital replication.
• Zero-Replication Mandate: Strict 1/1 physical original with no derivative editions or prints authorized to preserve absolute long-term asset value.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

The Spontaneous Desynchronization of the Heteronormative Script (2020) — SOME®

Acrylic on canvas / 70×50 cm / 27.5×19.6 in / SOLD
Archive Code: UP-2020-11

Diagnostic Case Study / The Code Decoupling Protocol.

THE SPONTANEOUS DESYNCHRONIZATION OF THE HETERONORMATIVE SCRIPT operates as a forensic audit of narrative engineering, corporate conditioning, and domestic reproduction models under late-capitalist realism. The work isolates two premier global intellectual properties, documenting the exact coordinate where their market-optimized, pre-programmed identity software experiences a severe systemic disruption.

Rejecting the romanticized lens of affection, equality, or subversion, the canvas captures a clinical flatlining of the mainstream behavioral script. The somatic interface—the automated collision of two highly visible corporate archetypes—marks a non-signaling breakdown in the reproductive machinery of mass media. Suspended against a flat, high-saturation orange chroma void, the hosts are fully stripped of their designated fictional trajectories, remaining frozen strictly as an autonomous diagnostic specimen of code failure within the attention economy.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Script Decoupling Anchor: Documented as a core physical entry within the Critical Pop Cycle (2020), establishing the formal protocol for parsing the structural breakdown of manufactured desire.
• Somatic Failure Interface: Formally records the transition from passive pop observation to a cold, clinical mapping of media-driven expectations and domestic containment apparatuses.
• Genealogical Blueprint: Serves as a primary tactical bridge anticipating the absolute liquidation of subject-depth deployed across the subsequent Uncomfortable Pop systems (2021–2023).
• Anti-Fragile Position Lock: Closed 2020 transaction permanently secured in a private collection, functioning as an inflation-hedged, non-dilutable symbolic asset insulated from digital replication and market volatility.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com

A SICK SMILE (TRUE COLORS) (2021) — SOME®
Dripping on canvas | 100×100 cm | 39.37×39.37 in

Diagnostic Case Study / The Affective Disruption Protocol.

A SICK SMILE (TRUE COLORS) operates as a forensic audit of engineered optimism, enforced happiness, and the commercial regulation of affect under late-capitalist realism. By hijacking the premier global signifier of standardized consumer compliance and forcing its facial geometry into an unstable, intersecting dual-matrix, the canvas documents the literal meltdown of the corporate wellness narrative.

The background’s dense, high-frequency pigment dispersion rejects traditional expressive abstraction; it functions as a clinical simulator of chromatic white noise and severe attention fracture within hyper-stimulated information networks. The dripping, corrupted icon does not project euphoria, but rather the somatic leakage of a biological host over-saturated by volatile dopamine loops, capturing the exact coordinate where mandatory positivity collapses into metabolic depletion.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

Secondary Baseline Node: Registered as the absolute second physical specimen ever executed within the Sick Smile Archive, establishing the primary formal protocol where the icon undergoes complex chromatic expansion.

Chromatic Static Matrix: Systematically charts attention-economy saturation, deploying overlapping kinetic splatters to simulate digital data noise over a heavy physical host.

Structural Paradox Mapping: The intersecting facial architecture records severe systemic fragility, permanently converting a mass-produced signifier of comfort into a site of psychological and structural friction.

Anti-Fragile Position Lock: Closed 2021 market transaction permanently secured in a private collection. Functions as an inflation-hedged, non-dilutable symbolic asset insulated from digital replication and macroeconomic volatility.

Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com

RONALD’S CAT (2021) – SOME®

Stencil & spray paint on canvas / 120x100 cm / 47x40 in / SOLD Archive Code: UP-2021-01

Diagnostic Case Study / The Symbiotic Pre-incorporation Protocol.

RONALD’S CAT operates as a forensic audit of commodified subversion and corporate pre-incorporation under late-capitalist realism. The canvas isolates and merges two premier global intellectual properties: the fetishized archetype of subcultural deviance (Catwoman) and the ultimate biopolitical vector of mass consumption (Ronald McDonald), documenting the exact coordinate where transgression and market optimization collapse into a singular somatic transaction.

Rejecting the romanticized lens of disturbing intimacy or parody, the composition records how corporate networks colonize the choreography of rebellion. The hosts are frozen within a closed feedback loop of mutual consumption, flattening individual desire into a pre-formatted market currency. The top border’s high-frequency, acid-green aerosol degradation functions as a clinical indicator of systemic corrosion, signaling the structural fragility hidden beneath the hyper-visible, manufactured ecstasy of mass media monopolies.

ARCHIVE NOTES

• Mascot Interaction Progenitor: Documented as the inaugural physical entry mapping direct, physical interaction between distinct multi-billion corporate entertainment matrices within the SOME® permanent registry.
• Structural Pre-incorporation Map: Formally charts the transition where subcultural anti-heroism ceases to act as systemic resistance, registering instead as a pre-incorporated asset designed to drive consumer attention.
• Corrosion Vector Registry: Deploys a calculated, vertical acid-green drip protocol to visually catalog the metabolic and environmental toxicity underlying mass-market iconography.
• Anti-Fragile Position Lock: Closed 2021 market transaction permanently secured in a private collection. Functions as an inflation-hedged, non-dilutable symbolic asset completely insulated from digital replication and macroeconomic volatility.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

COCA SOLDI (2025) – SOME®

Stencil & spray paint on canvas / 140×70 cm / SOLD Archive Code: UP-2021-02

Diagnostic Case Study / The Narcotic Monetization Protocol.

COCA SOLDI operates as a forensic audit of somatic engineering, unmitigated capital extraction, and corporate dependency loops under late-capitalist realism. The canvas hijacks the world’s premier global script, systematically rewiring its phonetic infrastructure from simulated “refreshment” into the raw, non-signaling currency of the market age (SOLDI).

The dense, vertical white aerosol matrix rejects traditional expressive abstraction; it functions as a clinical register of biological saturation, simulating the structural decay of excess-sugar glazes, industrial polymers, and synthetic narcotic tracks. The composition captures the exact coordinate where consumer brand loyalty and chemical addiction become fully homogenized, transforming a hyper-visible lifestyle logo into a cold, non-negotiable diagnostic specimen of modern cognitive containment.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Typographic Sabotage Protocol: Documented as a critical visual intervention utilizing brand script hijacking to map the direct fusion of corporate monopoly power and abstract financial currency.
• Somatic Dissolution Matrix: Visually records the absolute erosion of the boundary separating standard commodity consumption from predatory neurological dependency.
• Cross-Media Lexical Anchoring: Formally integrated with the internal archival document “Snowy Tracks of Light”, converting textual poetic input into a high-density conceptual blueprint within the registry.
• Anti-Fragile Position Lock: Physical 1/1 original. Secured in a private repository (2025) as an inflation-hedged, non-dilutable symbolic asset completely insulated from digital reproduction and macroeconomic fragility.
• Zero-Replication Mandate: Strict 1/1 physical original. No secondary print runs, digital blueprints, or physical replicas exist or will be authorized.

— SOME® Archive 2018-2025 All Rights Reserved | www.someoneyelling.com

A TRAP RAT (2021) — SOME©
Stencil & spray paint on canvas | 60×40 cm / 23.5×15.5 in | SOLD

Diagnostic Case Study / The Subcultural Capture Protocol.

A TRAP RAT operates as a forensic audit of commodified resistance, pre-incorporated subversion, and the high-frequency loops of platform capitalism under late-capitalist realism. The work hijacks a historical counter-cultural icon—the urban rodent as a symbol of underground friction—and documents its complete structural formatting into a dual-layered containment network: the literal financial mousetrap and the hyper-financialized performance blueprint of the “trapper.”

Blinded by simulated consumer apparatuses (the corporate shutter shades), the host executes an automated posture of performance while structurally exposed to absolute downside risk. By operating a precise lexical sabotage on classical European pastoral literature, the canvas maps the transformation of human leisure into a mechanical network of nocturnal consumption. Set against a flat shock of industrial magenta luminescence, the subject is hollowed out and preserved strictly as a non-signaling currency designed to regulate consumer anxiety within the attention market.

ARCHIVAL TEXT REGISTRY / CODE DECOUPLING:

È già festa se lo muovi
E poi a danzar la sera
in sul calar del sole
ornare ella si appresta
e reca in mano
col suo fascio dell’erba
dimani, al dì di festa.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Rodent Capture Progenitor: Documented as the inaugural physical entry utilizing underground street iconography as an archival host for macroeconomic diagnostics within the permanent registry.
• Lexical Sabotage Framework: Formally records the neutralization of historical literary romanticism, replacing pastoral expectation with the architecture of hyper-optimized, substance-driven consumer loops.
• Asymmetric Exposure Registry: Charts the severe structural fragility of localized youth archetypes, frozen at the exact coordinate where identity is fully liquidated into commodity signaling.
• Anti-Fragile Position Lock: Closed 2021 market transaction permanently secured in a private international collection, functioning as an inflation-hedged symbolic asset protected from market dilution.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

PORN HUB (2021) – SOME®

Stencil, grog & spray on canvas / 80×100 cm / SOLD Archive Code: UP-2021-03

Diagnostic Case Study / The Libidinal Codification Protocol.

PORN HUB (2021) operates as a forensic secondary audit of platform capitalism and the algorithmic standardization of biological reproduction. The canvas maps the absolute colonization of human intimacy, documenting the exact coordinate where primary sexual archetypes are hollowed out, codified via corporate gender signage, and repurposed as automated metrics for digital attention extraction.

Rejecting the subcultural narrative of street-art romanticism or raw connection, the composition captures a highly regulated somatic loop. The heavy application of industrial grog ink and calculated aerosol degradation records a state of terminal friction: a chemical bleeding effect that simulates the collapse of clean digital vector fantasies when subjected to systemic over-saturation. The surface acts as a cold containment cell where the human form is fully vectorized, flattened, and preserved as a compliant currency within the infinite scroll infrastructure.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Libidinal Core Closure: Documented as the final physical entry (2/2 Original Node) completing the dual-canvas operational sequence dedicated to platform-induced desires within the SOME® permanent registry.
• Somatic Codification Map: Formally records the integration of rigid biological signifiers into fluid kinetic figures, charting the total pre-incorporation of gender mechanics by corporate networks.
• Friction Density Study: Deploys high-viscosity grog vectors to visually catalog systemic wear and structural fragility underlying high-frequency consumer streams.
• Anti-Fragile Position Lock: Closed 2021 market transaction permanently locked in a private collection. The physical 1/1 original operates as an inflation-hedged, non-dilutable symbolic asset insulated from digital volatility.
• Zero-Replication Mandate: Strict physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com

SMASCELLO MA NON MOLLO (2021) — SOME®
Acrylic on canvas | 80×100 cm | 31.5×39.37 in

Diagnostic Case Study / The Neurological Overdrive Protocol.

SMASCELLO MA NON MOLLO operates as a forensic audit of somatic exploitation, engineered stamina, and automated neurotransmitter extraction under late-capitalist realism. The work hijacks a premier historical avatar of systematic labor-anxiety (Donald Duck), converting a mass-market emblem of domestic entertainment into a clinical register of substance-driven psychological containment.

The subject’s severely uncoupled, ascending ocular matrix captures the precise coordinate where the corporate host transitions into metabolic burnout. The physical performance of endurance (“non mollo”) combined with profound chemical jaw-clenching documents an hyper-fragile state of compliance: the body is artificially stimulated to endure the high-frequency demands of modern attention networks. Enclosed within a non-signaling, high-saturation orange chroma void, the human form is completely liquidated, vectorized, and preserved strictly as a non-volatile symbolic asset.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

Somatic Distortion Progenitor: Documented as a critical baseline specimen within the Critical Pop registry, establishing the formal protocol for parsing neurological depletion via corporate imagery.

Asymmetric Downside Mapping: Formally charts the structural collapse hidden behind manufactured nightlife resilience, exposing the extreme fragility of artificial dopaminergical loops.

Vectorial Simplification: Deploys flat, high-density acrylic geometries to contrast the pristine corporate silhouette with the clinical degradation of the subject’s central nervous system.

Anti-Fragile Wealth Preservation: Closed 2021 market transaction permanently locked in a private collection. The physical 1/1 original operates as an inflation-hedged symbolic asset fully insulated from digital replication and market volatility.

Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com

EBBASTA! (2021) — SOME®

Stencil & spray paint on canvas / 150×100 cm
1/1 Original — Archive Code: UP-2021-04

Diagnostic Case Study / The Clout Extraction Protocol.

EBBASTA! operates as a forensic audit of localized attention markets, hyper-sweetened sensory management, and typographic sabotage under late-capitalist realism. The canvas hijacks a premier emblem of global mass-media print monopoly (Smoking Stone), overlaying it with a high-saturation stencil matrix that documents the exact coordinate where subcultural music stardom is pre-incorporated and converted into a standardized economic currency.

The central icon’s ocular architecture is fully replaced by synthetic corporate food styling glazes (the pink donut matrices), signaling the absolute colonization of the biological host’s sensory apparatus. The creeping, high-density black fissures fracturing the composition reject traditional street-art distressing; they function as clinical indicators of systemic stress, mapping the severe structural fragility and imminent downside risk of a nervous system over-leveraged by volatile dopamine loops and mandatory consumption.

–––

ARCHIVE DOSSIER / SYSTEMIC VALUATION:
Sick Smile Anchor Node: Catalogued as a foundational primary asset within the early Sick Smile Cycle (2020–2023), establishing the structural framework for the brand’s investigation into engineered optimism.

Typographic Sabotage Metric: Formally records the deployment of high-frequency linguistic subversion, integrating text and icon into a singular, closed diagnostic layout.

Enforced Scarsity Positioning: With the absolute majority of corresponding historical assets securely held in private international repositories, this specific 150×100 cm specimen represents a primary liquidity lock opportunity.

Anti-Fragile Position Lock: High-dimension physical 1/1 original. Functions as an inflation-hedged symbolic asset completely insulated from digital replication and macroeconomic fragility.

Zero-Replication Mandate: Strict 1/1 physical original. No secondary print runs, digital blueprints, or physical replicas exist or will be authorized.

— SOME® Archive 2018–2026 All Rights Reserved | www.someoneyelling.com

QUEER (2022) — SOME®

Stencil & spray paint on canvas / 70×50 cm
1/1 Original — Archive Code: UP-2022-03

Diagnostic Case Study / The Sovereign Disactivation Protocol.

QUEER operates as a forensic audit of institutional branding, state-level longevity, and semantic friction under late-capitalist realism. The work hijacks a premier global monument of sovereign continuity, documenting the exact coordinate where the sacred dynastic relic is fully flattened, linearized, and converted into a high-saturation currency for mass consumption.

By introducing an automated somatic habit loop—the physical vector of the cigarette—the composition records a state of profound structural fragility hidden beneath the pristine architecture of the crown. The title acts not as a sentimental provocation, but as a calculated disruption code engineered to break the reproductive alignment of the institutional script. Suspended within an industrial, non-signaling fuchsia isolation chamber, the host is stripped of historical depth and preserved strictly as a non-volatile, high-equity symbolic asset within the permanent registry.

–––

ARCHIVE DOSSIER / SYSTEMIC VALUATION:
Sovereign Liquidation Node: Catalogued as a primary anchor specimen within the Uncomfortable Pop Cycle (2021–2024), dedicated to investigating the structural breakdown of state and corporate authority matrices.

Semantic Sabotage Metric: Formally registers the transition from passive pop portraiture to a cold, iconoclastic diagnostic processing identity-disruption codes over globally integrated icons.

Controlled Scarcity Enforcement: With the absolute majority of corresponding historical assets from the 2021–2024 era permanently locked in private international repositories, this specific physical original represents an elite, low-liquidity acquisition opening.

Anti-Fragile Wealth Preservation: High-dimension physical 1/1 original. Functions as an inflation-hedged symbolic asset completely insulated from digital replication and macroeconomic volatility.

Zero-Replication Mandate: Strict 1/1 physical original. No secondary print runs, digital blueprints, or physical replicas exist or will be authorized.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

A SICK GIRL (2022) — SOME®
Stencil & spray paint on canvas | 30×40 cm | 12×16 in | SOLD

Diagnostic Case Study / The Somatic Phase-Shift Protocol.

A SICK GIRL operates as a forensic audit of cognitive over-saturation, identity fragmentation, and the total liquidation of subject-depth under late-capitalist realism. The work hijacks the classic portraiture layout, converting a localized human host into a clinical register of high-frequency data misalignment within digital attention networks.

The severe chromatic aberration matrix—the intentional, calculated displacement of red and blue stencil layers—rejects traditional expressive distortion. Instead, it functions as a visual simulator of systematic data static and neurological wear. The canvas captures the precise coordinate where the subject’s interiority is completely flattened and formatted by corporate stream infrastructures, leaving the host frozen not in romantic rebellion, but in a hyper-fragile state of absolute, simulated consciousness.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Chromatic Aberration Progenitor: Documented as the primary baseline specimen introducing the misaligned phase-shift stencil protocol within the portrait-focused Uncomfortable Pop registry.
• Somatic Glitch Mapping: Formally replaces traditional emotional expression with a cold diagnostic layout capturing attention-economy induced psychological friction.
• High-Density Compact Asset: Establishes a rigid economy of scale, condensing complex accelerationist data into a high-rarity, low-dimension physical architecture.
• Anti-Fragile Position Lock: Closed 2022 market transaction permanently secured in a private collection. The physical 1/1 original operates as an inflation-hedged symbolic asset completely insulated from digital replication and market volatility.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

THREESOME (2022) — SOME®
Mixed media on diagnosis print (canvas) | 50×70 cm | 19.7×27.6 in

Diagnostic Case Study / The Institutional Bureaucracy Protocol.

THREESOME operates as a forensic forensic audit of privatized psychological distress, institutional surveillance, and identity multi-threading under late-capitalist realism. The work systematically rejects standard pop parody, layering a premier global avatar of domestic distraction and consumption (Homer Simpson) directly over a raw, unreplicable administrative record from a state medical infrastructure.

The overlapping, misaligned trio of graphic silhouettes records a state of profound structural fragility: a clinical fragmentation of the contemporary ego into volatile, non-signaling behavioral loops. The mass-market mascot functions not as an irreverent icon, but as a standardized cognitive mask—a corporate anesthetic interface engineered to suppress and regulate the underlying somatic ledger of the biological host. By converting a rigid bureaucratic document into the literal physical support for market transaction, the work captures the absolute baseline condition of a society where individual trauma is quantified, formatted, and permanently integrated into the attention economy as a premium symbolic asset.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Institutional Host Interface: Documented as a critical anchor specimen within the Uncomfortable Pop Cycle, establishing the formal protocol of utilizing physical state-level documentation as a raw artistic support.
• Identity Liquidation Mapping: Formally charts the fragmentation of subjective depth, converting personal psychological friction into a highly structured, brand-aligned clinical register.
• Unreplicable Material Scarcity: Features absolute intrinsic asset protection. Because the physical support consists of a unique, localized institutional data sheet, the 1/1 original possesses a total insulation barrier against market duplication or secondary replication.
• Anti-Fragile Position Lock: Closed 2022 market transaction permanently secured in a private archive, converting volatile psychological currency into a non-dilutable, inflation-hedged wealth repository.
• Zero-Replication Mandate: Strict 1/1 physical original. No replicas exist or will be authorized.

— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com

SHE (2023) — SOME®

Stencil & spray paint on canvas / 150×100 cm / 60×40 in / Commission
Archive Code: UP-2023-01

Diagnostic Case Study / The Sacred Trauma Standardization Protocol.

SHE operates as a forensic audit of ideological containment, corporate propaganda framing, and the flattening of somatic crisis under late-capitalist realism. The canvas executes a strategic hybridization bridging two distinct cultural property grids: an ancestral theological matrix (the bleeding Madonna architecture) and a premier Hollywood cinematic asset of narcotic exhaustion (the overdose register of Mia Wallace).

Rejecting the romanticized lens of cinematic collapse or sacred ecstasy, the composition documents the complete homogenization of human trauma. Locked within a rigid, authoritative graphic framework mimicking corporate street propaganda aesthetics, the host’s bleeding ocular matrix records an absolute threshold of structural fragility. The textual enforcement—LET SHE BLEED—functions not as a poetic lamentation, but as an imperative operational command engineered by the attention market to vectorize visceral biological depletion into an optimized symbolic currency.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

Zero-Replication Mandate: Strict 1/1 physical original. No secondary print runs, digital blueprints, or physical replicas exist or will be authorized.

External Capital Integration Protocol: Documented as a primary custom entry within the permanent registry, formally parsing external collector-driven conceptual blueprints through the strict diagnostic framework of the SOME® brand.

Iconographic Homogenization Index: Charts the exact coordinate where ancient devotion architectures and contemporary media-induced crisis systems collapse into a singular, closed graphic feedback loop.

Somatic Overload Registry: Utilizes a calculated split-tone aerosol matrix to analyze the structural decay and neurological fragility of a biological subject subjected to high-frequency attention pressure.

Low-Liquidity Asset Lock: Closed market custom execution. The physical 1/1 original operates as an inflation-hedged wealth repository completely insulated from secondary digital replication and macroeconomic volatility.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

SPIDER MELT (2024) — SOME®

Stencil & spray paint on canvas / 150×100 cm / 60×40 in / SOLD
Archive Code: UP-2024-02

Diagnostic Case Study / The Kinetic Exhaustion Protocol.

SPIDER MELT operates as a forensic audit of hyper-exploited labor myths, attention-market fatigue, and systemic burnout under late-capitalist realism. The work hijacks a premier global icon of mandatory responsibility and perpetual precarity, documenting the exact coordinate where the performative host experiences a catastrophic structural phase-transition from solid compliance to liquid depletion.

Clinging to a vertical stack of simulated industrial sound architecture, the host is stripped of all heroic leverage. The composition rejects the romanticized lens of vulnerability; it maps a state of clinical saturation. The heavy speaker matrices function as an infrastructure of sensory regulation, where high-frequency auditory noise and nightlife containment loops operate as localized anesthetics for the working-class asset. The literal melting of the stencil contours records the precise breakdown threshold where human stamina is flattened, liquidated, and permanently frozen into a premium symbolic asset.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

• Meltdown Protocol Progenitor: Documented as the inaugural physical baseline specimen introducing the “liquefaction matrix,” formalizing a tactical design motif subsequently deployed across the A Sick Smile permanent series.
• Sonic Compliance Registry: Charts the direct integration of biological hosts into corporate-induced entertainment grids, analyzing sound-system iconography as an apparatus for behavior monitoring.
• Somatic Over-Leverage Mapping: Formally captures severe structural fragility, capturing the asymmetric downside risk hidden behind high-frequency mass media exposure.
• Anti-Fragile Position Lock: Closed 2024 market transaction permanently locked in a private collection. The large-format physical 1/1 original operates as an inflation-hedged wealth repository completely insulated from digital replication.
• Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com

LOREDANA BERTÈ (2024) — SOME®

Stencil & spray paint on canvas / 70×50 cm
1/1 Original — Archive Code: PID-2024-02

Diagnostic Case Study / The Pre-Incorporated Transgression Protocol.

LOREDANA BERTÈ operates as a forensic audit of manufactured authenticity, standardized subversion, and identity formatting within regional attention economies. The canvas hijacks a historical cultural host traditionally coded as an emblem of unmitigated female rebellion, documenting the exact coordinate where transgressive energy is fully metabolized, linearized, and integrated into modern market currencies.

The high-contrast stencil framework rejects standard musical portraiture; it functions as a rigid biometric interface capturing the friction of forced performance. Suspended within an industrial, non-signaling acid-lime vacuum, the host is stripped of protective environmental depth, exposing an underlying state of structural fragility. The targeted somatic flash—the localized magenta luminescence along the facial architecture—records the systematic metabolic heat generated when biological authenticity is forced to operate as a high-frequency commodity matrix under late-capitalist realism.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Transgressive IP Registry: Catalogued as a primary operational entry within the Pop-Icon Dialogues Cycle (2023–2025), dedicated to parsing the structural pre-incorporation of counter-cultural icons by corporate entertainment networks.

Somatic Friction Index: Formally maps the transition from traditional pop memory to a cold clinical diagnostic tracking attention-induced neurological pressure over mass media subjects.

Asymmetric Scarcity Barrier: Under strict registry protocols, the absolute majority of 2023–2024 baseline specimens are locked in private repositories. This specific 70×50 cm physical asset represents an elite, highly restricted liquidity entry node.

Anti-Fragile Wealth Preservation: High-dimension physical 1/1 original. Functions as an inflation-hedged, non-dilutable symbolic asset completely insulated from digital replication and macroeconomic volatility.

— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com

SUPERME (2024) — SOME®

Stencil & spray paint on canvas / 140×70 cm  
1/1 Original — Archive Code: CPC-2024-01  

Diagnostic Case Study / The Ego Optimization Protocol.

SUPERME operates as a forensic audit of hyper-commodity signaling, platform-induced desire, and the pre-incorporation of subcultural hype under late-capitalist realism. The canvas hijacks the world’s premier global emblem of manufactured scarcity and streetwear monetization, re-engineering its typographic infrastructure into a clinical register of individual containment loops (Superme).

The dense, vertical white aerosol matrix rejects traditional expressive street art distress; it functions as a visual simulator of systemic leakage and structural saturation. Suspended against a flat, high-frequency red chroma void, the composition exposes the ultimate biopolitical framework of modern consumption: the process by which market monopolies colonize the collective subconscious—flattening subjective identity into repeatable compliance signaling and formatting the contemporary ego into an unmitigated currency of exchange.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

Zero-Replication Mandate: Strict 1/1 physical original. No secondary print runs, digital blueprints, or physical replicas exist or will be authorized.

Hyper-Commodity Baseline Node: Documented as the inaugural primary physical asset within the Critical Pop Codes Cycle (2023–2025), establishing the formal design framework for parsing the absorption of status-driven visual economies.

Pre-Stabilized Cultural Equity: The asset strategically leverages globally integrated, high-frequency intellectual property assets to secure immediate long-term symbolic capital and value retention.

Somatic Saturation Index: Deploys a calculated paint-drip protocol to visually catalog systemic friction and structural fragility underlying the modern attention economy.

Anti-Fragile Position Lock: High-dimension physical 1/1 original. Functions as an inflation-hedged, non-dilutable symbolic asset completely insulated from digital replication and macroeconomic volatility.

— SOME® Archive 2018–2026.
All Rights Reserved | www.someoneyelling.com

A SICK SMILE #4 (2024) — SOME®

Dripping & spray paint on canvas / 100×100 cm
1/1 Original — Archive Code: SSX-2024-04

Diagnostic Case Study

A critical diagnostic record of psychological containment under high-velocity capitalism. In A SICK SMILE #4, the human subject is entirely bypassed. The canvas is dominated by a violent, polychromatic hemorrhage of dripping paint—a visual representation of schizophrenic market flows, domestic overload, and systemic anxiety.

Superimposed onto this chaotic, hyper-saturated static is a heavy, double-layered white stencil. The twin, bleeding vertical eyes and the overlapping, manic double-smile do not register human emotion; they act as a catatonic reflex. It is a synthetic, chemical mask forcibly deployed to bind a fractured reality together, freezing a nervous breakdown into a clean, marketable pop icon.

SPECIMEN ANALYSIS

Foundational Morphology:
The Sick Smile® appears here in one of its earliest complete anatomical configurations. Detached from portraiture, it functions as an autonomous symbolic organism rather than a facial expression.

Environmental Saturation:
The polychromatic field does not operate as background. It records an environment overwhelmed by informational excess, compulsive stimulation and systemic fragmentation. The painted surface behaves as evidence rather than composition.

Containment Mechanism (Technique):
Dense gestural drips remain deliberately unresolved until interrupted by the rigid white stencil. The resulting collision between uncontrolled material and mechanical precision constitutes the work’s central structural tension, where containment never fully succeeds.

Clinical Expression:
The elongated bleeding eyes and unstable smile refuse conventional emotional reading. They register a condition of suspended adaptation: a synthetic expression maintained after psychological coherence has already collapsed.

Archival Provenance (1/1):
Unique physical original. No editions, digital duplicates or commercial reproductions. Registered within the 2024 SOME® Archive under archival code SSX-2024-04.

Conservation Status:
1/1 original.
No editions. No reproductions.
Preserved as a primary document of the Sick Smile® corpus.

1/1 — no reproductions.
Long-term value tied to the central icon of the SOME® mythology.

— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com

SAILOR MOON (2024) — SOME®

Acrylic on canvas / 100×100 cm / 39.37×39.37 in / Commission
Archive Code: UP-2024-01

Diagnostic Case Study / The Engineered Euphoria Protocol.

SAILOR MOON operates as a forensic audit of commodified affect, media-induced desire loops, and the algorithmic formatting of childhood nostalgia under late-capitalist realism. The canvas isolates a premier global intellectual property from the golden age of serialized anime transmission, documenting the exact coordinate where domestic entertainment hosts are repurposed into optimized biopolitical tools for emotional containment.

Rejecting the romanticized lens of memory or childhood reverence, the composition records a clinical state of somatic overdrive. The host’s hyper-exaggerated facial geometry—the wide-gaping oral cavity and sparkling, high-frequency ocular matrices—functions as a standardized register of attention capture. Enclosed within a non-signaling, solid blue chroma void, the subject is completely stripped of protective historical and environmental depth, vectorized and preserved strictly as a non-volatile, high-equity symbolic asset within the permanent registry.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

Zero-Replication Mandate: Strict 1/1 physical original. No secondary print runs, digital blueprints, or physical replicas exist or will be authorized.

External Capital Integration Node: Documented as a primary custom entry within the permanent registry, formally parsing external collector-driven specifications through the strict diagnostic framework of the SOME® brand.

Somatic Saturation Index: Formally charts the transition where subcultural heroism is flattened and pre-incorporated into repeatable compliance signaling for mass consumption.

Chromatic Static Registry: Deploys highly saturated, flat color blocks to visually simulate the hyper-dopaminergic information environments that regulate contemporary consumer identity.

Low-Liquidity Wealth Repository: Closed market custom execution. The physical 1/1 original operates as an inflation-hedged symbolic asset completely insulated from digital replication and macroeconomic fragility.

— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com

NASCI, CURATI, INGRASSA, ESPLODI (2025) — SOME®

Stencil & spray paint on canvas / 100×150 cm
1/1 Original — Archive Code: CPC-2025-05

Diagnostic Case Study / The Biopolitical Lifecycle Protocol.

NASCI, CURATI, INGRASSA, ESPLODI operates as a forensic audit of metabolic optimization and corporate-induced somatic loops under late-capitalist realism. The work hijacks a premier global emblem of industrial hospitality, converting the host into a clinical index of simultaneous consumer and pharmaceutical containment.

Equipped with a simulated tactical utility belt engineered for pharmacological enforcement, the mascot executes a manic, high-frequency leap of synthetic euphoria. Rejecting standard social satire, the canvas maps the closed biological trajectory of the contemporary subject: born into the matrix, chemically regulated via medicalization, fattened through optimized commodities, and ultimately detonated at the absolute threshold of cognitive and structural exhaustion. The flat shock of the industrial yellow vacuum simulates a sterile isolation chamber, recording the extreme systemic fragility hidden behind the smiling architecture of market monopolies.

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ARCHIVE DOSSIER / SYSTEMIC VALUATION:

Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Biopolitical Anchor Specimen: Documented as a core anchor canvas within the Clinical Pop Series (2024–2026), establishing the definitive framework for the synthesis of corporate fast-food signaling and pharmaceutical dependency loops.

Geopolitical Registry Lock: With the absolute majority of early baseline assets from this cycle permanently secured in private European repositories, this specific 2025 specimen represents a high-rarity, primary acquisition opening.

Institutional Hinge: Formally charts the programmatic shift from passive pop appropriation to explicit forensic diagnostics, anchoring the brand’s international institutional expansion.

Anti-Fragile Wealth Lock: High-dimension physical 1/1 original. Functions as an inflation-hedged, non-dilutable symbolic asset completely insulated from digital replication and macroeconomic volatility.

— SOME® Archive 2018–2026.
All Rights Reserved | www.someoneyelling.com

TONY BANANA (2025) — SOME®

Stencil & spray paint on canvas / 120×100 cm
1/1 Original — Archive Code: IPC-2025-02

Diagnostic Case Study / The Systematic Castration Protocol.

TONY BANANA operates as a forensic audit of hyper-capitalist accumulation myths and the corporate sterilization of raw violence under late-capitalist realism. The canvas hijacks a premier cinematic archetype of neoliberal ambition—historically coded as a symbol of unmitigated masculine power—and documents its total integration into sterile consumer networks.

By substituting the subject’s firearm with a highly stylized, perishable commodity matrix (the banana), the work records the complete liquidation of physical threat. The character is frozen in a high-frequency, hyper-fragile posture of defense, completely stripped of kinetic leverage. Set against a flat shock of industrial magenta luminescence, the composition exposes the ultimate loop of modern attention markets: the process by which dangerous counter-cultural energy is disarmed, packaged, and distributed as a premium anesthetic for private domestic preservation.

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ARCHIVE DOSSIER / SYSTEMIC VALUATION:

Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Iconographic Liquidation Registry: Catalogued as a primary anchor specimen within the Iconographic Liquidation Cycle (2024–2026), dedicated to parsing the structural decay of 20th-century mass media mythologies.

Pre-Stabilized Narrative Capital: The asset strategic utilizes globally integrated, high-equity cinematic intellectual properties to secure immediate long-term value retention and institutional validation.

Asymmetric Scarcity Enforcement: Under strict registry protocols, only two physical assets from this specific operational cycle have been cleared for market exposure, establishing an elite, low-liquidity positioning barrier.

Anti-Fragile Position Lock: High-dimension physical 1/1 original. Functions as an inflation-hedged, non-dilutable symbolic asset completely insulated from digital replication and macroeconomic fragility.

— SOME® Archive 2018–2026.
All Rights Reserved | www.someoneyelling.com

FLIRT (The Involuntary Tactile Verification of Muscular Hypertrophy as a Pre-Rational Mating Signal). (2025) — SOME®

Stencil & spray paint on canvas / 120×100 cm
1/1 Original — Archive Code: PID-2025-03

Diagnostic Case Study / The Archetypal Collusion Protocol.

FLIRT operates as a forensic audit of pre-programmed desire and standardized identity blueprints within the Pop-Icon Dialogues registry. The work examines the structural convergence between two premier global entertainment corporate assets: the hyper-masculine performance of labor-based divinity (Hercules) and the docile mechanism of class ascension through aesthetic compliance (Cinderella).

Suspended against a sterile, chemically flat blue vacuum, the simulated physical contact between the two hosts marks a precise somatic transaction. Rejecting the romanticized narrative of tenderness or irony, the canvas records how corporate monopolies colonize the collective subconscious—flattening classical mythologies into repeatable, standardized emotional software engineered to regulate human expectations and domesticate interpersonal relations.

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ARCHIVE DOSSIER / MARKET ENTRY SPECIFICATIONS:

Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.

Pre-Stabilized Equity: The asset leverages globally recognized, high-frequency intellectual properties to secure immediate long-term symbolic capital and value retention.

Hybrid Cross-Registry Anchor: Documented as a rare structural crossover bridging the brand’s Myth Series and Media Icon Series, maximizing its unique position within the archive.

Market Entry Restriction: Under strict controlled scarcity protocols, only three unallocated physical assets from the Pop-Icon Dialogues cycle (2024–2026) remain before permanent portfolio closure. All 2024 baseline specimens are locked in private international repositories.

Registered in the SOME® Archive 2018–2026.
1/1 — no editions, no future reproductions.

— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com