Canvas Art by SOME® — Large-format physical manifestations of digital blueprints. Executed through a rigorous interplay of industrial stencils and systemic, visceral spray drips. Each canvas represents a unique pathological specimen of contemporary capitalism, transitioning from virtual data to permanent material friction.
Works are cataloged within selected private collections and institutional spaces.
Acquisition requests and physical documentation are managed exclusively through someoneyelling.com.“Between irony and critique, the Canvas Art series marks the evolution of SOME®’s visual language — where pop culture becomes confession.”
— SOME® Canvas Art | © 2026ì All Rights Reserved
A SICK SMILE (2018) — SOME®
Acrylic dripping on canvas / 100×100 cm
STATUS: SOLD — Private Collection (Italy)
Archive Code: 2018_SS_ASickSmile_#1_PHYOrigin Case Study.
The inaugural physical manifestation of the Sick Smile asset. This specific canvas documents the transition from spontaneous physical discharge to highly coded, systematic iconography.
Developed during the Self-Transcendence Phase (2018–2019), the work serves as a foundational study in material anxiety: a clinical yellow background subjected to a violent, deteriorating black dripping. It marks the precise moment where visceral human distress is frozen and packaged into a perfect, permanent corporate logo.
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ARCHIVE DOSSIER / SPECIFICATIONS:
- Zero-Point Specimen: Documented as the absolute progenitor of the Sick Smile series in the SOME® permanent registry.
- Zero-Replication Policy: Strict 1/1 physical original. No digital blueprints, physical replicas, prints will be authorized.
- Structural Foundation: The primary canvas establishing the formal tension between rigid geometric stencil elements and uncontrolled chemical gravity.
- Historical Position: Closed acquisition prior to the institutional transition into the Clinical Pop era.
This asset is permanently held in a private archive. Sealed registry. Strictly unavailable for acquisition.— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
A SICK GIRL (2018) — SOME®
A SICK GIRL (2018) — SOME®
Medium: Industrial aerosol and stencil on canvas / 70×50 cm
Status: SOLD — Private Collection (Australia)
Archive Code: 2018_SS_ASickGirl_PHYThe complementary biological specimen to A SICK SMILE (2018). This canvas documents the second historical entry in the SOME® proto-archive, capturing the translation of acute psychological trauma into a flat, standardized chromatic system.
While A SICK SMILE represents a vertical dissolution through chemical gravity (the Drip), A SICK GIRL operates under the synthetic glare of simulated neon exposure. The work freezes a fractured, somatic state immediately before its complete containment and digestion into the clean, geometric branding of the subsequent Critical Pop era.
Specimen Registry 02: Documented as the second physical entry in the Sick Smile proto-archive.
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ARCHIVE DOSSIER / SPECIFICATIONS:
Systemic Diptych: Programmed to establish a dual conceptual axis with A SICK SMILE (2018), visualising the tension between corporate masking (Stencil) and visceral, organic collapse (Drip).
Zero-Replication Policy: 1/1 physical original.
Transitional Interface: The definitive bridge work linking raw, figurative human distress to abstract, commercial iconography.
Historical Position: Acquired and locked in a private international registry prior to the formalized institutional launch of the Clinical Pop series.
This asset is permanently held in a private archive (AU). Sealed registry. Strictly unavailable for acquisition.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
RIOT (2018) — SOME®
Medium: Industrial aerosol and stencil on canvas / 70×100 cm
Status: PRIVATE TRANSACTION — Closed Registry (Not for public acquisition)
Archive Code: 2018_UP_Riot_PHY
Operational Transaction / Study in Simulated Dissent.
Executed as an early client-funded intervention, RIOT examines the systemic digestion of civic friction. The work synthesizes a raw spectacle of unrest with the rigid interface of quantified social validation—specifically, a broken empathy metric (the simulated notification interface) hovering over a commercialized fire.
Rather than offering standard social critique, the canvas documents the exact point of collapse where a desperate biological demand (“LET US LIVE”) is flattened, stencilized, and packaged as a premium aesthetic commodity for private domestic display.
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ARCHIVE DOSSIER / SPECIFICATIONS:
- First External Transaction: Documented as the inaugural client-funded operational study within the SOME® permanent registry.
- Exclusive Asset Lock: Strict 1/1 physical original. No digital blueprints, secondary editions, or public replicas exist or will be authorized.
- Systemic Divergence: Catalogued outside the primary Sick Smile and Clinical Pop cycles as a standalone structural deviation.
- Controlled Symbiosis: Documents an early, direct interface between private collector parameters and uncompromising, brand-aligned aesthetic sabotage.
- Permanently Closed Portfolio: Under strict registry protocol. This asset is completely withdrawn from the market and closed to future replication.
Sealed Registry — SOME® Archive 2018-2026.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
MEDICINE (2019) — SOME®
Medium: Industrial aerosol, acrylic dripping, and stencil on canvas / 150×100 cm
Status: SOLD — Private Collection
Archive Code: 2019_UP_SideBabyMedicine_PHYDiagnostic Case Study / The Brand-as-Pill Protocol.
MEDICINE stands as the primary diagnostic study mapping the absolute fusion of luxury consumerism and neurological sedation. By converting an iconic commercial logo into a literal psychotropic molecule, the canvas documents the eradication of the boundary between corporate desire and pharmaceutical dependency.
Executed in an aggressive, chemically simulated palette, the subject acts simultaneously as the specimen and the patient—a biological entity preserved in a permanent state of synthetic homeostasis. The work functions as a visual autopsy of a society where self-image, status, and cognitive anxiety are regulated through curated brand consumption.
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ARCHIVE DOSSIER / SPECIFICATIONS:
- Molecular Progenitor: Documented as the absolute baseline canvas establishing the “brand-as-chemical-agent” framework in the SOME® permanent registry.
- Large-Format Registry: High-dimension physical asset locked in an exclusive private collection (2021) following strategic acquisition.
- Structural Genesis: A foundational, high-value anchor piece signaling the formal transition into the Clinical Pop era.
- Systemic Interface: Replaces standard pop appropriation with a cold diagnostic of corporate-induced escapism.
- Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will ever be authorized.
Sealed Registry — SOME® Archive 2019-2026.— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
CARA DELEVINGNE (2019) — SOME®
Medium: Industrial aerosol and high-contrast stencil on canvas / 120×100 cm
Status: SOLD — Private Collection
Archive Code: 2019_CP_CaraDelevingne_PHYDiagnostic Text
By subjecting a hyper-visible cultural asset to extreme, chemically simulated chromatic contrasts, the work dissects the structural tension between the pristine corporate mask (the Stencil) and the visceral friction underlying it. The synthetic blue gaze represents a frozen state of systemic overstimulation—a standardized icon processed, filtered, and preserved under the sterile glare of modern attention markets.
Specimen Analysis / The Hyper-Exposed Interface.
CARA DELEVINGNE acts as a critical case study in the flattening of human subjectivity into high-frequency capital. The portrait functions not as a depiction of an individual, but as a diagnostic map of an overexposed commercial interface.
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ARCHIVE DOSSIER / SPECIFICATIONS:
- Secondary Specimen: Documented as the second major study within the Celebrity Phase, expanding the somatic investigations initiated by A SICK GIRL (2018).
- Systemic Precursor: Serves as the structural foundation for the subsequent transition into the Clinical Pop cycle.
- Chromatic Protocol: First documented application of high-saturation industrial neon pigment on a standardized commercial icon.
- Interface Rupture: Formally maps the collapse of fashion industry mythology under intense psychological friction.
- Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or public replicas exist or will be authorized.
Sealed Registry — SOME® Archive 2019-2026.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
MICKEY’S (2019) — SOME®
Medium: Industrial aerosol, high-gloss acrylic, and stencil on canvas / 150×100 cm
Status: SOLD — Private Collection
Archive Code: 2019_GR_Mickeys_PHYSpecimen Analysis / The Grammar of Possession.
MICKEY’S serves as the inaugural operational study in Linguistic Sabotage and Visceral Pop within the SOME® permanent registry. The work uses the possessive apostrophe not as a linguistic marker, but as a structural mechanism of capital architecture: an ultimate corporate shell repurposed as a biological host for high-end luxury branding.
Set against a saturation of toxic, high-gloss industrial yellow, the iconic childhood silhouette is fully colonized by quantified status signifiers. Rather than offering standard pop irony, the canvas documents a state of total systemic assimilation—where infantile innocence is liquidated and replaced by an artificial, hyper-branded reality engineered to regulate consumer identity and social anxiety.
ARCHIVE DOSSIER / SPECIFICATIONS:
Linguistic Progenitor: Documented as the baseline canvas introducing the Apostrophe-as-Ownership linguistic protocol into the brand’s practice.
Morphological Precursor: Acts as the primary 2D structural study laying the groundwork for the subsequent figurative mutations and tridimensional iconographies within the archive.
Systemic Appropriation: Replaces traditional street art pastiche with a clinical autopsy of corporate faith and consumer addiction.
Large-Format Registry: High-dimension 1/1 physical asset permanently locked in a private collection (2020) following strategic institutional transaction.
Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
Sealed Registry — SOME® Archive 2019-2026
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
LIL BART (2019) — SOME®
Medium: Industrial aerosol, acrylic, and high-contrast stencil on canvas / 150×100 cm
Status: SOLD — Private Collection
Archive Code: 2019_GR_LilBart_PHYDiagnostic Case Study / The Arrested Regression Protocol.
LIL BART marks a critical transition within the SOME® permanent registry, shifting from superficial pop satire to systemic pathological cartography. The work isolates a global emblem of standardized juvenile friction at the exact coordinates of metabolic and cognitive collapse.
By injecting somatic tattoo-language (“LOVE ME FOREVER”) and crowning the cartoon host with a rigid, stencilized crown of thorns, the canvas documents the institutionalization of self-damage. The flat, industrial yellow surface ceases to represent infantile play; instead, it operates as a clinical biohazard indicator, visualizing how hyper-capitalist systems extract, commodify, and canonize the very trauma and addictive feedback loops they generate.
ARCHIVE DOSSIER / SPECIFICATIONS:
Somatic Inscription: Documented as the primary canvas introducing tattoo-language as a clinical, somatic marker within the brand’s registry.
Iconographic Anchor: Establishes the foundational execution of the “LOVE ME FOREVER” somatic distress formula—subsequently utilized as a high-value repeating motif across the 2020–2024 cycles.
Structural Hinge: Serves as the definitive piece bridging early post-graffiti pastiche with the hyper-codified Clinical Pop paradigm.
Asset Locking: Large-format physical original permanently withdrawn from market distribution through an exclusive private transaction (2022).
Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
Sealed Registry — SOME® Archive 2019-2026
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
MOSCHINO (2019) — SOME®
Stencil & spray paint on canvas / 150×100 cm
STATUS: SOLD — Private Collection
Archive Code: 2019_UP_Moschino_PHYDiagnostic Case Study / The Parasitic Colonization Protocol.
MOSCHINO stands as the inaugural systemic study investigating the biological decay of branded identities within the SOME® permanent registry. By obliterating the subject’s face with a heavy, clinical fly-mask motif, the canvas documents a state of parasitic intervention: the exact coordinate where high-fashion corporate iconography acts as a synthetic host for biological decomposition.
Rather than a metaphor for contaminated beauty, the work presents a sterile diagnostic of human subjectivity under capitalist realism. The corporate logo is no longer merely worn; it is anatomically integrated as a mask. The frozen, chemical neon hues capture a synthetic organism suspended in terminal homeostasis—fully stripped of its vocal agency and surviving strictly as an asset of attention extraction.
ARCHIVARCHIVE DOSSIER / SPECIFICATIONS:E NOTES
Vector Progenitor: Documented as the absolute first physical appearance of the parasitic “fly-mask” protocol in the registry, later utilized to regulate the visual systems of the 2020–2022 cycles.
Structural Interface: Bridges early brand-appropriation and fashion-iconography studies with acute psychological and somatic rupture.
Text-Asset Integration: Represents a rare 2019 structural convergence, embedding an untouched poetic blueprint directly into the clinical visual asset.
Asset Lock: Large-format physical original permanently withdrawn from market distribution through an exclusive private transaction (2022).
Zero-Replication Mandate: Strict 1/1 physical original. No physical replicas exist or will be authorized.
Poetic fragment (EN)
“If you smile and then fall silent
Before saying your name,
I’m an alien who doesn’t know time,
And I stand still with the world
Just to watch you.”
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
AIR FORCE 1 (2019) — SOME®
Stencil & spray paint on canvas / 100×80 cm
STATUS: SOLD — Private Collection
Archive Code: AF-2019-01Diagnostic Case Study / Kinetic Friction Protocol.
AIR FORCE 1 acts as a cold diagnostic of kinetic exhaustion and somatic erosion under late-capitalist friction. By isolating a mass-produced global commodity and treating it as a decaying organic relic, the work documents the physical wear of a biological host operating within informal, precarious transaction networks.
The blurred, heavy paint strokes do not romanticize the “hustle”; instead, they capture a state of metabolic depletion. The scuffed and eroded surface is stripped of corporate glamour, serving as a material registry of physical labor. The canvas visualizes the ultimate loop of capitalist realism: the process by which human exhaustion, wear, and systemic marginalization are extracted, aestheticized, and successfully converted into premium symbolic capital for private domestic preservation.
ARCHIVE DOSSIER / SPECIFICATIONS:
- Kinetic Progenitor: Documented as the absolute baseline canvas introducing the “commodity-as-eroded-relic” framework within the SOME® permanent registry.
- Used Commodity Inversion: Establishes the formal protocol where physical erosion, soil, and somatic fatigue are systematically inverted into premium luxury signifiers.
- Morphological Transition: Bridges raw, expressive painterly application with the highly structured, cold conceptual layouts of the Clinical Pop era.
- Archetypal Precursor: Serves as the primary 2D blueprint anticipating the development of the “informal market dealer” archetype throughout the 2020–2023 visual cycles.
- Asset Lock: Closed transaction. Physical 1/1 original permanently secured in a private collection (2021).
- Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
Acquired by private collector in 2021
Registered in the SOME® Archive 2018–2026.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
UNTRAPPED (2019) — SOME®
Stencil & spray paint on canvas / 100×100 cm
STATUS: SOLD — Private Collection
Archive Code: 2019_UP_HomerSimpsonPillsStadium_PHYDiagnostic Case Study / The Pharmacological Loop Protocol.
UNTRAPPED operates as a primary forensic study investigating somatic compliance and the systematic colonization of the central nervous system under late-capitalist realism. By isolating a mass-media cartoon host within a rigid, four-frame serial grid, the work documents the exact point where biological autonomy is replaced by an automated dosage protocol.
The canvas rejects standard social critique or parody; it acts as a clinical register of a systemically regulated subject locked in a perpetual cycle of chemical regurgitation. The aggressive, highly saturated palette is stripped of playfulness, operating instead as hospital-grade simulated luminescence—clean, sterile, and structurally violent. Subjectivity is fully flattened into statistical compliance: the character is no longer portrayed, but chemically and visually processed into a permanent corporate asset.
ARCHIVE NOTES
- ARCHIVE DOSSIER / SPECIFICATIONS:
- Serial Grid Registry: Documented as the primary four-frame study mapping serialized pharmacological control and automated behavioral loops within the SOME® permanent registry.
- Somatic Anesthesia: Systematically translates cartoon banality into a sterile, medicalized reliquary of contemporary chemical containment.
- Compliance Interface: Integrates pop-culture iconography with clinical data, transforming the subject from a psychological entity into a processed, compliant unit.
- Asset Lock: Closed transaction. Physical 1/1 original permanently secured in a private archive (2020).
- Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
Registered in the SOME® Archive 2019–2026.
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
IVRE SAUVAGE (2019) — SOME
Stencil & spray paint on canvas / 150×100 cm
STATUS: SOLD — Private Collection
Archive Code: UP-2019-04Diagnostic Case Study / The Somatic Ritual Protocol.
IVRE SAUVAGE operates as an archive study examining the historical geneology of commodity-induced sedation and elite behavioral control. By decomposing Belle Époque French advertising iconography, the canvas exposes the systematic conversion of chemical toxicity into a premium social signifier.
The figures in top-hat and gown are completely stripped of subjective depth; they operate as standardized, flat templates executing a pre-programmed ritual of consumption. Set against a high-saturation, sterile yellow backdrop, the composition isolates the precise historical coordinate where substance dependency was first institutionalized and aestheticized as bourgeois decorum. The stencil fractures represent systemic friction, revealing how the illusion of subjective pleasure is entirely manufactured, regulated, and sustained by market forces.
ARCHIVE DOSSIER / SPECIFICATIONS:
Historical Blueprint Deviation: Documented as an early visual intervention tracing the genealogy of mass advertising as an apparatus of chemical pacification.
Operational Intervention: Executed as a site-specific transaction for a private repository, systematically inverting decorative function into a cold diagnostic of social dependency.
Anesthetic Prototype: First registered application of chemical addiction motifs (alcohol as a systemic sedative) packaged under the guise of elite elegance.
Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
1/1 original — no prints or reproductions issued
Registered in the SOME® Archive 2019–2026.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
SCROOGE MC DUCKIN’ (2019) — SOME®
Stencil & spray paint on canvas / 100×100 cm
STATUS: SOLD — Private Collection
Archive Code: UP-2019-05Diagnostic Case Study / The Fragile Leverage Protocol.
SCROOGE MC DUCKIN’ operates as a forensic audit of systemic fragility and simulated leverage under late-capitalist transaction networks. The work isolates a flat, counterfeit host executing the somatic performance of abundance (“McDuckin’”) while being structurally exposed to absolute downside risk (systemic debt).
By crowning the debtor with a simulated Louis Vuitton x Supreme beret, the canvas dissects luxury branding not as a status symbol, but as a predatory extraction mechanism. Under this framework, corporate collusions act as synthetic assets designed to harvest real capital from an un-leveraged, infantilized demographic. The subject is trapped in a closed, negative feedback loop: mimicking the anti-fragility of the asset-owning elite (Scrooge) while drowning in the fragile, borrowed reality of consumer credit (Donald).
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ARCHIVE NOTES
- ARCHIVE DOSSIER / SYSTEMIC VALUATION:
- Leverage Progenitor: Documented as the primary 2D study investigating the psychology of debt-driven aspiration and counterfeit asset-simulation in the registry.
- Asymmetric Exposure Map: Formally records the transition from passive pop-culture consumption to active, high-risk status performance.
- Predatory Cartography: Analyzes the corporate-collusion myth (LV x Supreme) as an engineered chemical halo designed to neutralize financial consciousness.
- Anti-Fragile Lock: Transacted and secured in a private collection (2019). The physical 1/1 original acts as a non-depreciating, long-term symbolic asset protected from market dilution.
- Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
Registered in the SOME® Archive 2019–2026.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
VOGUE – A MODERN ROMANCE (2019) — SOME®
Stencil & spray paint on canvas / 120×100 cm
STATUS: SOLD — Private Collection
Archive Code: FM-2019-01Diagnostic Case Study / The Editorial Standardization Protocol.
VOGUE – A MODERN ROMANCE operates as an archeological audit of editorial pacification and pre-programmed desire. The canvas analyzes the systematic process by which corporate media networks standardize biological attraction, packaging and distributing it under the simulated label of “romance” to regulate consumer subjectivity.
Rejecting the romanticized narrative of street-art disruption, the composition documents the structural fragility of mass-media iconography. By applying industrial stencil matrices and calculated aerosol degradation to a hyper-visible fashion artifact, the surface records the clash between synthetic, high-gloss perfection and visceral systemic wear. It marks the “first incision”—the precise coordinate where commercialized beauty is exposed as a fragile, standardized mask engineered for capital extraction and cognitive containment.
ARCHIVE DOSSIER / SYSTEMIC VALUATION:
- Editorial Progenitor: Documented as the inaugural physical appropriation of fashion-magazine infrastructure within the SOME® permanent registry.
- Fragile Desire Map: Formally records the transition from passive pop observation to a cold structural analysis of corporate-induced emotional leverage.
- Synthetic Interface Study: Precursory 2D blueprint establishing the formal parameters for later high-value investigations into media-saturated desires and commodified beauty.
- Anti-Fragile Wealth Preservation: Large-format physical 1/1 original. Secured in a private collection (2021) as an inflation-hedged, non-depreciating symbolic asset protected from market dilution.
- Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
Registered in the SOME® Archive 2019–2026.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
PORN HUB (2019) — SOME®
Marker & spray paint on canvas / 120×100 cm
STATUS: SOLD — Private Collection
Archive Code: DP-2019-01Diagnostic Case Study / The Libidinal Extraction Protocol.
PORN HUB operates as a forensic audit of platform capitalism and the algorithmic regulation of human desire. The canvas maps the absolute assimilation of primary biological impulses into high-frequency corporate interfaces, documenting the exact point where the body is hollowed out and repurposed as a metric of attention extraction.
By executing a high-density matrix of anonymous, intertwined silhouettes—stripping the historical legacy of organic connection into a sterile, repetitive script—the surface simulates the mechanics of the infinite scroll. This work rejects standard subcultural critique; it acts as a cold register of a hyper-fragile psychological dependency, where individual intimacy is flattened, vectorized, and successfully monetized as a non-stop dopamine feedback loop.
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ARCHIVE DOSSIER / SYSTEMIC VALUATION:
- Libidinal Progenitor: Documented as the absolute baseline canvas introducing the “interface-as-predatory-host” framework within the SOME® permanent registry.
- Somatic De-sublimation: Systematically records the historical transition from expressive post-graffiti gesture to a highly codified, sterile media-critique language.
- Algorithmic Choreography Study: Precursory 2D structural layout analyzing mass desire not as psychological depth, but as a standardized currency of platform circulation.
- Anti-Fragile Asset Lock: Early-era transaction permanently secured in a private collection (2019). The physical 1/1 original functions as an inflation-hedged, non-dilutable symbolic asset insulated from digital volatility.
- Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
Registered in the SOME® Archive 2019–2026.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
MC FLY (2019) — SOME®
Stencil & spray paint on canvas / 120×100 cm / SOLD
Archive Code: UP-2019-05Diagnostic Case Study / The Logistical Convergence Protocol.
MC FLY operates as a forensic audit of imperial logistics and mass pacification under late-capitalist realism. The work maps the absolute synthesis between global military infrastructure and fast-moving consumer goods, documenting the exact coordinate where technological destruction and industrial nutrition run on the same standardized supply chain.
Suspended against a simulated, chemically clean baby-blue void, the weaponized hardware is stripped of historical specificity and rebranded as a corporate asset. The falling kinetic payloads—executed through a rigid stencil matrix that mimics corporate food styling—reject standard anti-war satire. Instead, the canvas registers a state of absolute cognitive anesthesia: a system where macro-violence is processed with the same repeatable, scalable efficiency as a fast-food franchise, flattening global trauma into a digestible commodity.
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ARCHIVE NOTES
- Logistical Progenitor: Documented as the absolute baseline canvas introducing the convergence of fast-food signaling and military iconography within the SOME® permanent registry.
- Asymmetric Fallout Map: Formally records the deployment of corporate branding as a visual camouflage for systemic and state-sanctioned violence.
- Tactical Blueprint Study: Precursory 2D structural layout establishing the formal parameters for later high-value investigations into “status weapons” and institutional coercion.
- Anti-Fragile Wealth Lock: Early-era physical transaction permanently secured in a private collection (2019). The physical 1/1 original operates as a non-depreciating symbolic asset insulated from macroeconomic fragility.
- Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
Registered in the SOME® Archive 2019–2026.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
SWEET DREAMS ARE MADE OF PILLS (2019) — SOME®
Stencil & spray paint on canvas / 100×100 cm / SOLD
Archive Code: UP-2019-06Diagnostic Case Study / The Chemical Dissolution Protocol.
SWEET DREAMS ARE MADE OF PILLS operates as a primary forensic audit of corporate-induced childhood mythologies subjected to synthetic homeostasis. The work maps the absolute collapse of localized nostalgia under late-capitalist realism, documenting the precise coordinate where globalized corporate iconography becomes an automated host for pharmaceutical containment.
Deconstructing a premier global emblem of manufactured innocence, the composition uses a dense, vertical gravity-drip matrix to visualize severe systemic fragility and asymmetric downside risk. The canvas rejects traditional subcultural or counter-cultural romance; it acts as a clinical register of a central nervous system artificially regulated by synthetic stimulants. Subjectivity is fully liquidated: the iconic facial architecture does not project identity, but leaks and dissolves, transitioning from a childhood brand into a cold, non-negotiable diagnostic specimen of modern neurological extraction.
ARCHIVE NOTES
- Meltdown Progenitor: Documented as the absolute baseline canvas introducing the “chemical meltdown” and somatic erosion protocols applied to global entertainment assets within the SOME® permanent registry.
- Asymmetric Vulnerability Map: Formally records the structural transition from soft consumer-pop imagery to a cold analysis of predatory, substance-driven dependency loops.
- Genealogical Anchor: Serves as the definitive historical blueprint and structural anchor for later high-value assets within the Clinical Pop era, directly dictating the formal parameters of works such as MEDICINE (2019) and LIL BART (2019).
- Anti-Fragile Position Lock: Early-era transaction permanently secured in a private collection (2020). The physical 1/1 original operates as a high-scarsity, inflation-hedged symbolic asset fully insulated from market dilution or reproduction.
- Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
Registered in the SOME® Archive 2019–2025.
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
FASHION WEEK (2020) — SOME®
Stencil & spray paint on canvas / 24×30 cm / SOLD
Archive Code: UP-2020-01Diagnostic Case Study / The Accelerated Obsolescence Protocol.
FASHION WEEK operates as a forensic audit of cultural cannibalism and high-frequency anxiety under late-capitalist realism. The work hijacks a modernist European graphic specter—historically coded as an icon of linear progress and exploration—and subjects it to the sterile, hyper-accelerated temporal loop of seasonal attention markets.
Swallowed by a simulated corporate silhouette (the oversized status outer shell), the subject executes a frantic, non-signaling motion. This kinetic panic documents a culture where acceleration is mandatory and value decays instantly. The coat acts not as protective infrastructure, but as a fragile, high-leverage signifier of temporary status, capturing the absolute baseline condition of a society condemned to perpetual velocity with zero systemic destination.
ARCHIVE DOSSIER / SYSTEMIC VALUATION:
Iconographic Colonization: Documented as the inaugural physical intervention utilizing mid-century European comic design as an archival host for accelerationist diagnostics.
Velocity Registry: Formally charts the transition from raw structural critique to the mapping of high-frequency market anxiety and systemic hyper-turnover.
Textural Contrast: Implements a calculated, low-fidelity stencil language to destabilize the pristine, engineered aesthetic of luxury industries.
Precursory Framework: Serves as a primary structural link anticipating the complete liquidation of subject-depth found in the later Empty Identity cycles (2021–2024).
Anti-Fragile Wealth Lock: Closed market transaction. Physical 1/1 original permanently secured in a private collection (2022) as a non-dilutable symbolic asset insulated from macroeconomic instability.
Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
Registered in the SOME® Archive 2018–2026.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
CORTO MALTESE (2020) — SOME®
Stencil & spray paint on canvas / 150×100 cm / 60×40 in / SOLD (Private Commission)
Archive Code: UP-2020-02Diagnostic Case Study / The Sovereign Containment Protocol.
CORTO MALTESE operates as a forensic audit of the romantic outsider myth under late-capitalist realism. The work hijacks a premier mid-century European literary archetype—historically coded as a symbol of sovereign individualism and anti-systemic drift—and subjects its graphic identity to a rigid, industrial stencil framework.
The composition strips away the nostalgia of adventure lore to isolate a cold state of somatic containment. The subject’s signature cigarette ceases to represent romantic freedom; instead, it registers as an automated behavioral habit loop within an iper-regulated environment. The heavy black pigment and stark blue void reject simple homage, recording the exact coordinate where classical narrative autonomy is flattened, standardized, and permanently locked into a premium symbolic asset class.
ARCHIVE DOSSIER / SYSTEMIC VALUATION:
- Literary Host Inauguration: Documented as the primary physical intervention utilizing classical graphic literature as an archival host for structural diagnostic within the SOME® permanent registry.
- Operational Intervention: Executed as a client-funded asset transaction, systematically redirecting individual nostalgia into a cold, brand-aligned architectural registry.
- Chronological Hinge: Preserved as a core pre-2021 transition piece immediately preceding the formalized institutional shift into the Clinical Pop paradigm.
- Anti-Fragile Position Lock: Closed market transaction. Physical 1/1 original permanently secured in a private collection (2020) as a non-dilutable symbolic asset insulated from macroeconomic instability.
- Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
Registered in the SOME® Archive 2020–2026.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
DARK POLO GANG (2020) — SOME®
Stencil & spray paint on canvas / 150×100 cm / 60×40 in / SOLD
Archive Code: UP-2020-03Diagnostic Case Study / The Hyper-Financialization Protocol.
DARK POLO GANG operates as a forensic audit of speculative fragility and automated wealth-signaling within regional attention economies. The work maps the absolute liquidation of youth subculture, documenting the exact coordinate where street rebellion is pre-incorporated, standardized, and replaced by the explicit choreography of market saturation.
The repeating “77” stencil matrices function not as subcultural symbols, but as rigid corporate logotypes dominating a chaotic vortex of replicated, non-signaling fiat currencies. The canvas rejects standard musical portraiture; it acts as a clinical register of an iper-fragile generational paradigm. Here, human subjects are hollowed out to serve as debt-driven distribution networks for luxury fashion monopolies, trading biological autonomy for high-frequency, volatile validation metrics.
ARCHIVE NOTES
ARCHIVE DOSSIER / SYSTEMIC VALUATION:
Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
Trap Interface Progenitor: Documented as the inaugural physical entry utilizing localized trap iconography as an archival host for macroeconomic diagnostic within the SOME® registry.
Asymmetric Clout Map: Formally charts the structural collapse where subcultural resistance adopts the exact predatory language and luxury signifiers of the financial institutions it once simulated to oppose.
Speculative Currency Study: Deconstructs mass media hype not as artistic expression, but as a temporary, high-turnover commodity engineered to regulate consumer anxiety.
Anti-Fragile Asset Lock: Closed market transaction. Large-format physical 1/1 original permanently secured in a private repository (2023), converting highly volatile digital trends into an inflation-hedged symbolic asset protected from market dilution.
1/1 original — SOLD to private collector in 2023 — no reproductions issued
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
CORTINA D’AMPEZZO (2020) — SOME®
Stencil & spray paint on canvas / 70×100 cm / 27×40 in / AVAILABLE
Archive Code: UP-2020-07Diagnostic Case Study / The Leisure Logistics Protocol.
CORTINA D’AMPEZZO operates as a forensic audit of hyper-commodified leisure and standardized behavioral postures within the SOME® permanent registry. Utilizing a premier geopolitical signifier of elite tourism as its framework, the canvas maps the complete erasure of human identity within pre-programmed nightlife networks.
The composition captures a body executing a precise, synthetic posture of socialization, yet the subject is entirely deleted. By applying a rigid, stencilized pixel-matrix over the facial architecture, the work records the optimization of the individual: human subjectivity is removed to allow the lifestyle brand and the corporate attire to achieve total visibility. The cold, neon-saturated nocturnal atmosphere rejects standard documentary photography; it acts as a clinical simulator of contemporary anesthesia, where the human form is hollowed out, digitized, and preserved strictly as a compliant asset for attention economies.
ARCHIVE DOSSIER / SYSTEMIC VALUATION:
- Pixel Progenitor: Documented as the absolute first physical appearance of the pixel-obscured identity protocol in the archive—a foundational milestone establishing the “empty identity” visual systems deployed across the 2021–2024 cycles.
- Somatic Posture Map: Formally records the transition from expressive post-graffiti gesture to a highly controlled, flat geometry mapping the choreography of simulated status.
- Asymmetric Risk Registry: Dissects the severe fragility of contemporary youth subcultures, frozen at the exact coordinate where presence is fully liquidated into corporate posture.
- Vetted Acquisition Status: Vetted physical original. Open for direct positioning within selected corporate or private repositories. Subject to institutional registration.
- Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
CALMNESS (2020) — SOME®
Stencil & spray paint on canvas / 30×24 cm / 11×9 in / SOLD
Archive Code: UP-2020-08Diagnostic Case Study / The Induced Homeostasis Protocol.
CALMNESS operates as an archival audit of somatic pacification and designed catatonia within the SOME® permanent registry. Reconfiguring the pristine codes of minimalist fashion portraiture, the silhouette maps the complete extraction of subjective noise to achieve a perfectly compliant consumer state.
The canvas rejects the romantic illusion of spiritual serenity; it records a state of neurological flatlining. The precise intervention of the parasitic fly vector on the facial architecture documents the systemic friction and biological decay underlying this artificial vacuum. Under late-capitalist realism, curated silence and “mindfulness” do not function as resistance—they operate as premium-grade anesthetics engineered to freeze the subject into an immutable, hyper-fragile posture of absolute containment.
ARCHIVE DOSSIER / SYSTEMIC VALUATION:
- Prototype Baseline: Documented as a core structural case study within the Silent Icons series, establishing the formal economy of zero-noise visual systems.
- Somatic Flatlining: Replaces standard emotional expression with a cold, clinical diagnostic of engineered, corporate-induced calm.
- Vector Convergence: Features an early configuration of the parasitic fly motif, formalizing the contamination of clean commercial layouts by biological reality.
- Anti-Fragile Position Lock: Transacted and permanently secured in a private collection (2021). The physical 1/1 original functions as a high-density, non-dilutable symbolic asset insulated from digital volatility.
- Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com
SOON! TO THE BAT CAVE (2020) — SOME®
Stencil & spray paint on canvas / 120×100 cm / 47×40 in / SOLD
Archive Code: UP-2020-09The eternal duality between Batman and the Joker collapses into a kiss.
In this reversal, power and irony dissolve into affection — a subversion of hero-villain mythology where pop culture’s icons no longer oppose but merge, losing narrative to intimacy.
ARCHIVE NOTES
- Core Uncomfortable Pop — myth inversion & icon collapse (2020)
- First appearance of comic-book intimacy theme in SOME®’s archive
- Explores fusion of conflict and affection within pop hero archetypes
- Early use of red–blue contrast to represent moral distortion
- 1/1 original — SOLD to private collector in 2020 — no reproductions issued
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
POPEYE E LA NEGAZIONE DEL PIACERE (PER LA SALVEZZA) (2020) — SOME®
Acrylic on canvas / 80×100 cm / 31.5×39.37 in / SOLD
Archive Code: UP-2020-10A satirical reinterpretation of Popeye, this work explores the tension between desire and denial, pleasure and sacrifice.
Popeye’s clenched posture becomes a symbol of restraint — the hero turned ascetic, where physical strength replaces emotional release.
It marks an early stage in SOME®’s critical-pop language, before the full emergence of Uncomfortable Pop.
ARCHIVE NOTES
- Early Critical Pop — repression, discipline, and desire as iconography
- Transitional work leading to the Uncomfortable Pop cycle (2019–2021)
- First exploration of cartoon hero as moral archetype
- 1/1 original — SOLD to private collector in 2020 — no reproductions issued
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
KISS ME (2020) — SOME®
Acrylic on canvas / 70×50 cm / 27.5×19.6 in / SOLD
Archive Code: UP-2020-11A playful yet subversive scene where Ariel and Jasmine, two of Disney’s most recognizable princesses, meet in an unexpected kiss.
Here, the myth of innocence is rewritten through affection, turning the coded purity of mainstream fantasy into a mirror of desire and equality.
An emblematic work from SOME®’s Critical Pop cycle, reimagining pop archetypes as vessels of cultural rebellion.
ARCHIVE NOTES
- Core canvas in SOME®’s Critical Pop cycle (2020)
- Reinterprets Disney archetypes through affection and liberation
- Early study of “myth reversal” preceding Uncomfortable Pop works (2021–2023)
- 1/1 original — SOLD to private collector in 2020 — no reproductions issued
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
A SICK SMILE (TRUE COLORS) (2021) — SOME®
Dripping on canvas | 100×100 cm | 39.37×39.37 in
ENG:
The second chapter in the artist’s Sick Smile series, “True Colors” amplifies the dripping icon with explosive chromatic energy.
Collector’s Note:
The second Sick Smile ever created, a milestone piece marking the evolution of the series into its iconic form.
ITA:
Secondo capitolo della serie Sick Smile dell’artista, “True Colors” amplifica l’icona colante attraverso un’esplosione cromatica.
Nota per i Collezionisti:
Il secondo Sick Smile mai realizzato, un’opera pietra miliare che segna l’evoluzione della serie verso la sua forma iconica.
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
RONALD’S CAT (2021) – SOME®
Stencil & spray paint on canvas / 120x100 cm / 47x40 in / SOLD Archive Code: UP-2021-01
RONALD’S CAT stages a surreal encounter: Catwoman and Ronald McDonald, icons from two worlds colliding in an embrace.
A pop collision where irony becomes critique, exposing how symbols of rebellion and consumption feed on each other. In this disturbing intimacy, the boundaries between the seductive anti-heroine and the corporate mascot dissolve, questioning the nature of desire in a consumerist landscape.
ARCHIVE NOTES
- Core Uncomfortable Pop – icon collapse & corporate satire (2021)
- First appearance of corporate mascot interaction in SOME®’s archive
- Explores the fusion of predatory seduction and mass-market symbolism
- Use of acid green drip to emphasize the artificiality of the scene
- 1/1 original – SOLD to private collector in 2021 – no reproductions issued
— SOME® Archive 2018-2025 All Rights Reserved | www.someoneyelling.com
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
COCA SOLDI (2025) – SOME®
Stencil & spray paint on canvas / 140×70 cm / SOLD Archive Code: UP-2021-02
COCA SOLDI hacks the world’s most recognizable script to deliver a blunt statement on value and vice. The iconic logo, usually promising refreshment, is linguisticly rewired to spell out the true currency of the age: Soldi (Money) and the adrenaline rush it buys.
In this piece, the “drip” is not just stylistic but narrative. The heavy white paint mimics the texture of excess—sugar glazes, melting plastic, or the “snowy tracks” referenced in the accompanying poem. It blurs the line between a consumer product and a narcotic dependency, creating a portrait of the modern “high” where brand loyalty and addiction become indistinguishable.
ARCHIVE NOTES
- Linguistic Sabotage: Direct subversion of corporate typography to alter meaning (2025)
- Visual Metaphor: The “white drip” technique represents the dissolving boundary between desire and dependence.
- Poetic Integration: Directly referenced by the poem “Snowy Tracks of Light”, linking the visual to the concept of the “plug” and the “rush”.
- 1/1 original – Signed by SOME® – no reproductions issued.
— SOME® Archive 2018-2025 All Rights Reserved | www.someoneyelling.com
A TRAP RAT (2021) — SOME©
Stencil & spray paint on canvas | 60×40 cm / 23.5×15.5 in | SOLD
ENG:
A TRAP RAT plays with the double meaning of “trap”: the rat caught in a mousetrap and the rat as a trapper.
Poem (English translation):
It is already a feast if you move it
And then to dance at night
As the sun goes down
She prepares to adorn
And brings in her hand
Her bundle of grass
Tomorrow, another day of feast.
Collector’s Note:
Wordplay meets stencil: a rat between trap and Trap, a creature stuck between ridicule and celebration.
ITA:
A TRAP RAT gioca sul doppio senso di “trap”: il topo nella trappola e il topo trapper.
Poesia (originale):
È già festa se lo muovi
E poi a danzar la sera
in sul calar del sole
ornare ella si appresta
e reca in mano
col suo fascio dell’erba
dimani, al dì di festa.
Nota per i Collezionisti:
Un gioco di parole che si fa pittura: topo trappola o topo trapper? La risposta resta sospesa, a metà tra scherno e mito.
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
PORN HUB (2021) – SOME®
Stencil, grog & spray on canvas / 80×100 cm / SOLD Archive Code: UP-2021-03
PORN HUB appropriates the definitive logo of digital arousal to frame a chaotic scene of primitive connection. The global symbol of streaming gratification is visually hijacked, juxtaposed with raw, kinetic figures reminiscent of street art ancestry. The piece collides the slick, corporate identity of the adult industry with the grit of the sidewalk, turning a digital interface into a physical totem.
In this piece, the heavy application of grog and spray creates a “bleeding” effect, dissolving the clean lines of vector graphics into organic disarray. This texture mimics the friction between polished digital fantasies and the messy reality of human intimacy. It creates a portrait of voyeurism where the “hub” becomes a trap of endless, looping interactions, freezing the tension between mass culture and taboo.
ARCHIVE NOTES
- Contextual Sabotage: The appropriation of corporate branding to critique the commodification of desire (2021).
- Visual Tension: The contrast between the rigid logo and the fluid, dripping figures represents the conflict between digital perfection and human flaw.
- Cultural Artifact: Crystallizes a specific moment in the digital age, standing as a critical pop relic of the streaming era.
- 2/2 Original: One of two unique canvases created in 2021 – Signed by SOME® – no reproductions issued.
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
SMASCELLO MA NON MOLLO (2021) — SOME®
Acrylic on canvas | 80×100 cm | 31.5×39.37 in
ENG:
In “Smascello ma non mollo,” Donald Duck becomes the unlikely face of nightlife excess and resilience.
Collector’s Note:
A striking satire on consumer culture and altered states, this canvas stands out as a pivotal work in the artist’s Critical Pop phase.
ITA:
In “Smascello ma non mollo,” Paperino diventa il volto improbabile degli eccessi notturni e della resilienza.
Nota per i Collezionisti:
Una satira tagliente sulla cultura dei consumi e sugli stati alterati, questa tela si distingue come opera cardine del periodo Critical Pop dell’artista.
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
EBBASTA! (2021) — SOME®
Stencil & spray paint on canvas / 150×100 cm
1/1 Original — Archive Code: UP-2021-04Not publicly available. Collector access required.
A yellow smile dissolves under excess: sugar becomes hallucination,
vice becomes identity, addiction becomes pop.
The cracked grin marks the fracture between pleasure and decay.
–––
WHY COLLECT THIS WORK
This piece belongs to the early Sick Smile cycle (2020–2023), one of the
defining bodies of work in the SOME® Critical Pop archive.
Most works from this cycle are now held in private collections, making this
one of the last available originals.
Registered in the SOME® Archive 2018–2025, this canvas marks the transition
from studio experimentation to institutional recognition, before the brand’s
international expansion phase.
1/1 — no editions, no reproductions.
Long-term value tied to the evolution of the Sick Smile mythology.
— SOME® Archive 2018–2025 All Rights Reserved | www.someoneyelling.com
QUEER (2022) — SOME®
Stencil & spray paint on canvas / 70×50 cm
1/1 Original — Archive Code: UP-2022-03Not publicly available. Collector access required.
A royal icon becomes subversive: irony and rebellion dethrone the sacred.
Power turns to parody; elegance becomes provocation.
A pink rebellion that questions beauty, gender and authority.
–––
WHY COLLECT THIS WORK
This work is part of the Uncomfortable Pop cycle (2021–2024), a key body of work
in the SOME® Critical Pop archive, where cultural icons are dismantled and re-coded.
Most pieces from this cycle entered private collections between 2022 and 2024, making
this canvas one of the last remaining originals from the series.
Registered in the SOME® Archive 2018–2025, it marks the shift from figurative pop
reinterpretation to iconoclastic critique — a pivotal phase before the brand’s
international expansion.
1/1 — no editions, no reproductions.
Long-term value tied to the evolution of the Uncomfortable Pop series.
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com(by request only)
A SICK GIRL (2022) — SOME®
Stencil & spray paint on canvas | 30×40 cm | 12×16 in | SOLD
ENG:
A Sick Girl captures fragility and rebellion in one fractured image.
Collector’s Note:
An emblematic work where intimacy and rebellion merge, foreshadowing the themes later developed in the Uncomfortable Pop cycle.
ITA:
A Sick Girl racchiude fragilità e ribellione in un’unica immagine fratturata.
Nota per i Collezionisti:
Un’opera emblematica in cui intimità e ribellione si fondono, anticipando i temi che saranno sviluppati nel ciclo Uncomfortable Pop.
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
THREESOME (2022) — SOME®
Mixed media on diagnosis print (canvas) | 50×70 cm | 19.7×27.6 in
ENG:
Threesome stages a fractured trio of identities over a printed medical diagnosis, where personal history collides with pop imagery.
Collector’s Note:
A key mixed-media piece in the Uncomfortable Pop cycle, where personal documents merge with irreverent pop iconography.
ITA:
Threesome mette in scena un trio frammentato di identità su una diagnosi medica stampata, dove la storia personale si scontra con l’immaginario pop.
Nota per i Collezionisti:
Un’opera mista fondamentale del ciclo Uncomfortable Pop, in cui documenti personali si fondono con un’iconografia pop irriverente.
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
SHE (2023) — SOME®
Stencil & spray paint on canvas / 150×100 cm / 60×40 in / Commission
Archive Code: UP-2023-01Originally conceived from a collector’s idea of a “bleeding Madonna” framed in the style of Obey Giant,
SHE evolves into a layered reinterpretation where pop devotion meets cinematic collapse.
The face—borrowed from Mia Wallace in Pulp Fiction’s overdose scene—turns sacred ecstasy into narcotic suffering.
Here, the holy image is not blasphemed but exhausted, replayed until transcendence and trauma become indistinguishable.
ARCHIVE NOTES
1/1 original — commissioned by private collector, no reproductions issued
- One-off commissioned canvas (2023)
- Integrates client’s concept with SOME®’s critical-pop vocabulary
- Merges religious iconography with pulp cinema and addiction imagery
- Explores the exhaustion of sanctity through repetition and spectacle
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
SPIDER MELT (2024) — SOME®
Stencil & spray paint on canvas / 150×100 cm / 60×40 in / SOLD
Archive Code: UP-2024-02Spider Melt intertwines urban chaos with human fragility, suspending a pop icon in a surreal and overloaded scene.
Spiderman no longer saves — he clings. Between nightlife decay and emotional noise, the superhero dissolves into sound, tension, and vulnerability.
Here, pop becomes feverish: a reflection of burnout culture where even strength melts under the weight of exposure.
ARCHIVE NOTES
- Core canvas in SOME®’s Uncomfortable Pop cycle (2024)
- Examines collapse of heroism and exhaustion within pop mythology
- First appearance of “meltdown” motif later used in A Sick Smile Series
- Bridges existential unease with nightlife and sound-system iconography
- 1/1 original — SOLD to private collector in 2024 — no reproductions issued
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
LOREDANA BERTÈ (2024) — SOME®
Stencil & spray paint on canvas / 70×50 cm
1/1 Original — Archive Code: PID-2024-02
Not publicly available. Collector access required.
A vivid icon of rebellion and authenticity.
Her gaze turns defiance into beauty — fragility into power.
A pop hymn to individuality and self-expression.
–––
WHY COLLECT THIS WORK
This canvas is part of SOME®’s Pop-Icon Dialogues cycle (2023–2025), where
figures from music and mass culture are re-coded into critical symbols of
identity, resistance and authorship.
Most works from this cycle entered private collections during 2023–2024,
making this one of the very few remaining originals.
Registered in the SOME® Archive 2018–2025, it marks the transition toward
a wider cultural dialogue between pop memory, gender identity and icon
deconstruction — a key phase preceding institutional and international expansion.
1/1 — no editions, no reproductions.
Long-term value tied to the evolution of the Pop-Icon Dialogues series.
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
SUPERME (2024) — SOME®
Stencil & spray paint on canvas / 140×70 cm
1/1 Original — Archive Code: CPC-2024-01 Not publicly available. Collector access required.
Superme deconstructs one of the most iconic streetwear logos, turning it into
a bleeding emblem of consumer identity — an ironic reflection on desire,
fashion, and the commodification of rebellion.
–––
WHY COLLECT THIS WORK
This canvas is part of the Critical Pop Codes cycle (2023–2025), in which
symbols of mass culture are dismantled and re-coded as artifacts of consumer myth.
Most works from this cycle entered private collections during 2023–2024,
making this one of the final originals still available.
Registered in the SOME® Archive 2018–2025, it marks the shift from subcultural
reference to global critique — a key moment before the international expansion
of the brand and the institutional phase of the archive.
1/1 — no editions, no reproductions.
Long-term value tied to the evolution of the Critical Pop Codes series and the
cultural weight of the logo intervention.
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
A SICK SMILE #4 (2024) — SOME®
Dripping & spray paint on canvas / 100×100 cm
1/1 Original — Archive Code: SSX-2024-04Not publicly available. Collector access required.
A fractured smile becomes a mirror of human emotion.
Colors drip between joy and melancholy — every splash a fragment of identity.
–––
WHY COLLECT THIS WORK
This canvas is part of the extended Sick Smile cycle (2020–2025), the core
symbol of the SOME® Critical Pop universe.
Each variation in the series marks a different psychological chapter, making
the set a progressive archive of identity, excess and cultural saturation.
Most Sick Smile originals are already in private collections across Europe,
making this one of the final available works from the cycle.
Registered in the SOME® Archive 2018–2025, this piece bridges the shift from
street-based extraction to conceptual studio evolution — a key stage before
institutional expansion and international market entry.
1/1 — no reproductions.
Long-term value tied to the central icon of the SOME® mythology.
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
SAILOR MOON (2024) — SOME®
Acrylic on canvas / 100×100 cm / 39.37×39.37 in / Commission
Archive Code: UP-2024-01A one-of-one commissioned reinterpretation of the cult anime heroine, rendered in vibrant pop tones.
Here, nostalgia becomes self-aware — Japanese pop iconography collides with SOME®’s critical-pop lens, turning childhood reverence into a study of replication, saturation, and identity through media consumption.
The work mirrors how icons are not simply remembered, but endlessly remade.
ARCHIVE NOTES
- One-off commissioned canvas (2024)
- Revisits Japanese pop iconography through critical-pop reinterpretation
- Explores repetition, nostalgia, and cultural rebranding of anime heroines
- 1/1 original — commissioned by private collector, no reproductions issued
— SOME® Archive 2018–2025
All Rights Reserved | www.someoneyelling.com
NASCI, CURATI, INGRASSA, ESPLODI (2025) — SOME®
Stencil & spray paint on canvas / 100×150 cm
1/1 Original — Archive Code: CPC-2025-05Diagnostic Case Study / The Biopolitical Lifecycle Protocol.
NASCI, CURATI, INGRASSA, ESPLODI operates as a forensic audit of metabolic optimization and corporate-induced somatic loops under late-capitalist realism. The work hijacks a premier global emblem of industrial hospitality, converting the host into a clinical index of simultaneous consumer and pharmaceutical containment.
Equipped with a simulated tactical utility belt engineered for pharmacological enforcement, the mascot executes a manic, high-frequency leap of synthetic euphoria. Rejecting standard social satire, the canvas maps the closed biological trajectory of the contemporary subject: born into the matrix, chemically regulated via medicalization, fattened through optimized commodities, and ultimately detonated at the absolute threshold of cognitive and structural exhaustion. The flat shock of the industrial yellow vacuum simulates a sterile isolation chamber, recording the extreme systemic fragility hidden behind the smiling architecture of market monopolies.
–––
ARCHIVE DOSSIER / SYSTEMIC VALUATION:
Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
Biopolitical Anchor Specimen: Documented as a core anchor canvas within the Clinical Pop Series (2024–2026), establishing the definitive framework for the synthesis of corporate fast-food signaling and pharmaceutical dependency loops.
Geopolitical Registry Lock: With the absolute majority of early baseline assets from this cycle permanently secured in private European repositories, this specific 2025 specimen represents a high-rarity, primary acquisition opening.
Institutional Hinge: Formally charts the programmatic shift from passive pop appropriation to explicit forensic diagnostics, anchoring the brand’s international institutional expansion.
Anti-Fragile Wealth Lock: High-dimension physical 1/1 original. Functions as an inflation-hedged, non-dilutable symbolic asset completely insulated from digital replication and macroeconomic volatility.
— SOME® Archive 2018–2026.
All Rights Reserved | www.someoneyelling.com
TONY BANANA (2025) — SOME®
Stencil & spray paint on canvas / 120×100 cm
1/1 Original — Archive Code: IPC-2025-02Diagnostic Case Study / The Systematic Castration Protocol.
TONY BANANA operates as a forensic audit of hyper-capitalist accumulation myths and the corporate sterilization of raw violence under late-capitalist realism. The canvas hijacks a premier cinematic archetype of neoliberal ambition—historically coded as a symbol of unmitigated masculine power—and documents its total integration into sterile consumer networks.
By substituting the subject’s firearm with a highly stylized, perishable commodity matrix (the banana), the work records the complete liquidation of physical threat. The character is frozen in a high-frequency, hyper-fragile posture of defense, completely stripped of kinetic leverage. Set against a flat shock of industrial magenta luminescence, the composition exposes the ultimate loop of modern attention markets: the process by which dangerous counter-cultural energy is disarmed, packaged, and distributed as a premium anesthetic for private domestic preservation.
–––
ARCHIVE DOSSIER / SYSTEMIC VALUATION:
Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
Iconographic Liquidation Registry: Catalogued as a primary anchor specimen within the Iconographic Liquidation Cycle (2024–2026), dedicated to parsing the structural decay of 20th-century mass media mythologies.
Pre-Stabilized Narrative Capital: The asset strategic utilizes globally integrated, high-equity cinematic intellectual properties to secure immediate long-term value retention and institutional validation.
Asymmetric Scarcity Enforcement: Under strict registry protocols, only two physical assets from this specific operational cycle have been cleared for market exposure, establishing an elite, low-liquidity positioning barrier.
Anti-Fragile Position Lock: High-dimension physical 1/1 original. Functions as an inflation-hedged, non-dilutable symbolic asset completely insulated from digital replication and macroeconomic fragility.
— SOME® Archive 2018–2026.
All Rights Reserved | www.someoneyelling.com
FLIRT (The Involuntary Tactile Verification of Muscular Hypertrophy as a Pre-Rational Mating Signal). (2025) — SOME®
Stencil & spray paint on canvas / 120×100 cm
1/1 Original — Archive Code: PID-2025-03Diagnostic Case Study / The Archetypal Collusion Protocol.
FLIRT operates as a forensic audit of pre-programmed desire and standardized identity blueprints within the Pop-Icon Dialogues registry. The work examines the structural convergence between two premier global entertainment corporate assets: the hyper-masculine performance of labor-based divinity (Hercules) and the docile mechanism of class ascension through aesthetic compliance (Cinderella).
Suspended against a sterile, chemically flat blue vacuum, the simulated physical contact between the two hosts marks a precise somatic transaction. Rejecting the romanticized narrative of tenderness or irony, the canvas records how corporate monopolies colonize the collective subconscious—flattening classical mythologies into repeatable, standardized emotional software engineered to regulate human expectations and domesticate interpersonal relations.
–––
ARCHIVE DOSSIER / MARKET ENTRY SPECIFICATIONS:
Zero-Replication Mandate: Strict 1/1 physical original. No digital blueprints, secondary print runs, or physical replicas exist or will be authorized.
Pre-Stabilized Equity: The asset leverages globally recognized, high-frequency intellectual properties to secure immediate long-term symbolic capital and value retention.
Hybrid Cross-Registry Anchor: Documented as a rare structural crossover bridging the brand’s Myth Series and Media Icon Series, maximizing its unique position within the archive.
Market Entry Restriction: Under strict controlled scarcity protocols, only three unallocated physical assets from the Pop-Icon Dialogues cycle (2024–2026) remain before permanent portfolio closure. All 2024 baseline specimens are locked in private international repositories.
Registered in the SOME® Archive 2018–2026.
1/1 — no editions, no future reproductions.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com