Canvas Art by SOME® — Large-format physical manifestations of digital blueprints. Executed through a rigorous interplay of industrial stencils and systemic, visceral spray drips. Each canvas represents a unique pathological specimen of contemporary capitalism, transitioning from virtual data to permanent material friction.

Works are cataloged within selected private collections and institutional spaces.

Acquisition requests and physical documentation are managed exclusively through someoneyelling.com.

“Between irony and critique, the Canvas Art series marks the evolution of SOME®’s visual language — where pop culture becomes confession.”
— SOME® Canvas Art | © 2026ì All Rights Reserved

A SICK SMILE (2018) – SOME®

CLINICAL MATERIAL: Acrylic and dripping on canvas / 100×100 cm

STATUS: Acquired – Private Collection (Italy)

ARCHIVE CODE: 2018_SS_#1_PHY

Genesis / Patient Zero. This canvas is the first physical trace of A Sick Smile. It documents the exact moment the nervous breakdown is frozen and packaged into a reassuring corporate logo. On a pharmaceutical yellow background—which imposes a chemical calm—the black drips violently and uncontrollably. It is the tension between real human distress and the performative identity society forces us to wear. The smile here is not decoration: it is a surgical mask, a defense mechanism, and the final deception before the collapse.

CLINICAL DOSSIER:

  • The Absolute Origin. The progenitor of the entire series. The original breaking point from which the SOME® visual identity is born.
  • Unique Specimen (1/1). No replicas, no authorized prints. The original trauma cannot be mass-produced.
  • Structural Tension. The visual clash on canvas: the rigidity of the stencil (medical authority, control) versus the gravity of the dripping (addiction, the failing body).
  • Historical Placement. Artwork acquired and sealed prior to the brand’s definitive transition into the Clinical Pop era.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

A SICK GIRL (2018) — SOME®

CLINICAL MATERIAL: Industrial aerosol and stencil on canvas / 70×50 cm
STATUS: Acquired – Private Collection (Australia)
ARCHIVE CODE: 2018_SS_ASickGirl_PHY

The Second Specimen. The complementary biological specimen to A SICK SMILE (2018). This canvas documents the translation of acute psychological trauma into a flat, standardized chromatic system. While the previous specimen exhibited a vertical dissolution through the chemical gravity of the paint (the dripping), A SICK GIRL operates under the synthetic, hallucinatory glare of a simulated neon exposure. The artwork freezes a fractured somatic state an instant before being sedated and absorbed into the clean, geometric aesthetics of the subsequent Clinical Pop era.

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CLINICAL DOSSIER:

Historical Placement. Specimen acquired and locked in a private international registry prior to the formalized institutional launch of the Clinical Pop series.

Symptomatological Axis. Conceived to form a conceptual diptych with A SICK SMILE (2018). The piece visualizes the constant tension between the corporate mask (the Stencil) and visceral, organic collapse.

Unique Specimen (1/1). This is a 1/1 physical original. The exposure of trauma is not subject to replication.

Transitional State. The definitive missing link. The clinical bridge connecting raw, figurative human despair to abstract, commercial iconography.


This asset is permanently held in a private archive (AU). Sealed registry. Strictly unavailable for acquisition.
— SOME® Archive 2018–2026
All Rights Reserved | www.someoneyelling.com

MEDICINE (2019) — SOME®

MEDICINE (2019) – SOME®   
MATERIALE CLINICO: Aerosol industriale, acrilico (dripping) e stencil su tela / 150×100 cm
STATUS: Acquisito – Collezione Privata
CODICE ARCHIVIO: 2019_UP_SideBabyMedicine_PHY 

Diagnosis / The Brand-as-Pill Protocol. This canvas is the primary diagnostic study certifying the absolute fusion of luxury consumerism and neurological sedation. By transforming an iconic commercial logo into a literal psychotropic molecule, the artwork documents the obliteration of the boundary between corporate desire and pharmaceutical dependency. Executed with an aggressive, chemically simulated palette, the subject is simultaneously specimen and patient: a biological entity locked in a perpetual state of synthetic homeostasis. It functions as the visual autopsy of a society where self-image, status, and cognitive anxiety are regulated and anesthetized through the consumption of brands.

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CLINICAL DOSSIER:

  • Molecular Progenitor. The baseline canvas establishing the “brand-as-chemical-agent” principle within the SOME® permanent registry.
  • Unique Specimen (1/1). Strictly a 1/1 physical original. The addiction documented here does not allow for digital blueprints, secondary print runs, or authorized replicas.
  • Cold Diagnostics. This is not pop appropriation; it is a clinical report. The artwork replaces standard pop aesthetics with a clinical analysis of corporate-induced escapism.
  • Structural Genesis. The foundational large-format piece that sanctions the official and irreversible entry into the Clinical Pop era.
Sealed Registry — SOME® Archive 2019-2026.

IL GESTO (SASSARI, 2019) – SOME®

Stencil & spray paint on canvas / 70×100 cm / 27×40 in / AVAILABLE
Archive Code: UP-2020-07

Diagnostic Case Study

Forensic Record / Peripheral Erosion. This canvas is a forensic document registering localized survival and somatic erosion on the margins of the late-capitalist periphery. By isolating an exact bodily posture, the artwork strips the subject of any decorative romanticism or street-art caricature. The application of a rigid pixel matrix over the facial physiognomy is an act of protective anonymization and, simultaneously, the systematic erasure of identity. The nocturnal atmosphere, dominated by the cold blue and the urgent red of the hoodie, rejects documentary sentimentalism: it is the clinical record of a silent ritual, where the human form is hollowed out, digitized, and preserved as a relic of containment and psychological friction.

ARCHIVE DOSSIER / SYSTEMIC VALUATION:

  • Sassari Archive Progenitor: Documented as the foundational canvas introducing the ‘informal survival’ protocol and peripheral aesthetics into the permanent registry.
  • Anonymization Protocol: Integrates the pixel matrix to shield the subject’s identity, simultaneously registering a state of systemic marginalization.
  • Somatic Posture Map: Records the transition from an expressive street gesture to a flat, controlled geometry of pure resistance.
  • Vetted Acquisition Status: Strict 1/1 physical original. Subject to rigorous institutional or private approval. Zero-Replication Mandate: No digital or physical replicas exist or will be authorized.

THREESOME (2022) — SOME®
CLINICAL MATERIAL: Mixed media on diagnosis print (canvas) / 50×70 cmSTATUS: Acquired – Private Collection

Diagnostic Case Study

Diagnostic Record / The Institutional Bureaucracy Protocol. This canvas operates as a forensic audit of psychological distress and institutional surveillance. The artwork rejects standard pop parody, layering the premier global avatar of domestic distraction (Homer Simpson) directly over an authentic, unreplicable administrative record from a state medical infrastructure.

The overlapping, misaligned trio of graphic silhouettes records a state of profound structural fragility: the clinical fragmentation of the ego. The mass-market mascot functions not as an irreverent icon, but as a standardized cognitive mask—an anesthetic interface engineered to suppress and regulate the underlying somatic ledger. By converting a rigid bureaucratic document into the literal physical support of the artwork, it captures the baseline condition of a society where individual trauma is quantified, formatted, and permanently integrated into the attention economy.

CLINICAL DOSSIER

  • Institutional Support. Documented as a critical anchor specimen within the Uncomfortable Pop cycle, establishing the formal protocol of utilizing physical state-level medical documentation as a raw artistic support.
  • Fragmentation Mapping. Formally charts the splitting of identity, converting personal psychological friction into a highly structured, brand-aligned clinical register.
  • Absolute Material Scarcity. The artwork is intrinsically unreplicable. Because the physical support consists of a unique, localized institutional data sheet, the 1/1 original possesses a total insulation barrier against market duplication.
  • Clinical Isolation. Transaction closed in 2022 and permanently secured in a private archive. The volatile psychological trauma is now isolated and inaccessible.
  • Unique Specimen (1/1). Strictly a 1/1 physical original. No replicas exist or will be authorized.

SHE (2023) — SOME®

CLINICAL MATERIAL: Stencil & spray paint on canvas / 150×100 cm (Commission)
STATUS: Acquired – Private Collection
ARCHIVE CODE: UP-2023-01

Diagnostic Record / The Sacred Trauma Protocol.

This canvas operates as a forensic audit of ideological containment and the flattening of somatic crisis. The artwork executes a clinical graft between two distinct cultural matrices: ancestral theological architecture (the bleeding Madonna) and the narcotic collapse of contemporary entertainment (the overdose register of Mia Wallace).

Rejecting any romanticism or sacred ecstasy, the composition traps human trauma within a rigid, authoritative graphic framework, akin to street propaganda. The bleeding ocular matrix is not a relic, but the recording of an absolute structural rupture. The textual imperative — LET SHE BLEED — does not function as a poetic lament, but as an operational command: the cynical directive of an attention market engineered to vectorize biological and visceral bleeding into symbolic currency.

CLINICAL DOSSIER:

Unique Trauma (1/1). Strictly a 1/1 physical original. No secondary prints, digital blueprints, or physical replicas exist or will ever be authorized.

Commissioned Graft. Documented as a custom acquisition within the permanent registry. The rigorous diagnostic framework of the SOME® brand is applied here to decode and isolate the conceptual directives imposed by an external client.

Iconographic Collapse. Charts the exact coordinate where ancient devotional architectures and contemporary media-induced crisis systems collapse into a single closed circuit.

Somatic Overload. Utilizes a calculated split-tone aerosol matrix to analyze the structural decay and neurological fragility of a biological subject placed under high pressure.

Clinical Isolation. Closed-market private operation. The physical specimen is permanently sealed in a private facility, completely insulated from any replication or external volatility.

A SICK SMILE #4 (2024) — SOME®

CLINICAL MATERIAL: Dripping & spray paint on canvas / 100×100 cm
STATUS: 1/1 Original
ARCHIVE CODE: SSX-2024-04

Diagnostic Record / The Polychromatic Collapse.

In this fourth specimen, the human subject is entirely bypassed, replaced by a violent, polychromatic hemorrhage of dripping paint. The canvas is dominated by the visual recording of schizophrenic flows and systemic anxiety. Superimposed onto this hyper-saturated background noise, the synthetic mask is forcibly applied: a thick, double-layered white stencil. The overlapping double smile and bleeding vertical eyes do not register human emotion, but rather a catatonic reflex. It is a chemical bandage deployed to hold a fractured reality together, freezing a nervous breakdown into a clean, marketable pop icon.

CLINICAL DOSSIER:

Foundational Morphology. Detached from human portraiture. The Sick Smile appears here in one of its earliest complete anatomical configurations, functioning as an autonomous symbolic organism rather than a facial expression.

Environmental Saturation. The painted surface behaves as forensic evidence, not as a composition. The polychromatic field records an environment overwhelmed by informational excess and compulsive stimulation.

Containment Mechanism. The collision between matter and control. Dense gestural drips remain unresolved until brutally interrupted by the mechanical precision of the rigid white stencil, where containment never fully succeeds.

Clinical Expression. Suspended adaptation. The bleeding eyes and unstable smile refuse a conventional emotional reading, registering a synthetic expression maintained after psychological coherence has already collapsed.

Unique Specimen (1/1). Unique physical original. No editions, digital duplicates, or commercial reproductions exist. Preserved as a primary document of the Sick Smile corpus.

Conservation Status:
1/1 original.
No editions. No reproductions.
Preserved as a primary document of the Sick Smile® corpus.

1/1 — no reproductions.
Long-term value tied to the central icon of SOME®.